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INSERT INTO `wp_comments` VALUES (2,1,'שגיא','sagi8584@gmail.com','http://לגביהתערוכה','217.132.250.105','2010-04-24 01:04:01','2010-04-23 22:04:01','אהלן שמי שגיא אני גר באזור גסי כהן \r\nרציתי לדעת מה אני צריך לעשות בשביל פרויקט צילום שאני ארצה להעלות על הרחוב.\r\nבכל אופן אני אשמח לקבל עוד פרטים למייל .',0,'1','Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 5.1; .NET CLR 2.0.50727; .NET CLR 3.0.04506.30; InfoPath.2; .NET CLR 3.0.4506.2152; .NET CLR 3.5.30729)','',0,0),(3,1,'חגי ארגוב','batyarg@zahav.net.il','','80.230.36.50','2010-05-02 14:42:08','2010-05-02 11:42:08','חגי ארגוב – הצעה לפרויקט ג\'סי כהן\r\n\r\nרקע מקצועי\r\nאני בוגר המדרשה משנת 1988, אמן פעיל שהציג כ- 50 תערוכות במיטב הגלריות והמוזיאונים בארץ וזוכה מלגת אמן – מורה לשנת 1995.\r\nמזה 20 שנה מוביל פרויקטים של שיפור חזות בתי–ספר, פנימיות ומתנ\"סים תוך הנחיית תלמידים ומד\"צים והפעלתם בנושאי תרבות ואמנות המעניינים אותם.\r\n\r\nחזון חינוכי\r\nאני מאמין גדול ביצירת סביבה ציורית שנושאיה הם פרי חיפוש של החניכים. בעיני, חשובה עבודת הצוות והדינאמיקה הקבוצתית תוך דגש על היכולת של הילד לוותר על הצורך לצייר את הציור מהתחלה ועד הסוף ולאפשר לחברו להמשיך. ( לדוגמא )\r\n \r\nהדימויים\r\nנושאי הציור צריכים לשקף את חווית הזמן המקום והרקע התרבותי.\r\nבמקרה זה – בי\"ס  \"ויצמן\" הוא בי\"ס לאמנויות והרצון הוא שהקירות יבטאו את תחומי האמנויות השונים שנלמדים  ב-ביה\"ס. כמו – כן ביה\"ס נמצא ברח\' האמוראים כך שנתן לשלב מעין גרפיטי – לוגו של המילה הזו בארמית ודימויים נוספים שיועלו ע\"י התלמידים וקשורים לעולמם.\r\nבשיחה עם מנהלת ביה\"ס היא גילתה התלהבות מיוזמה זו ומן האפשרות שילדי כתות ו\' ישאירו בדרך זו מזכרת לביה\"ס.\r\n\r\nהמקום\r\nבשטח ביה\"ס בחרה המנהלת:\r\nא.	זוג קירות בכניסה למבנה המרכזי\r\nב.	קיר חיצוני מול הכניסה לביה\"ס\r\nג.	שתי כניסות למקלטים\r\n\r\nמשך הפרויקט\r\n15 מפגשים.\r\n\r\nהחומרים הדרושים \r\nדליים, כוסות חד-פעמיות, סינרים, סמרטוטי כותנה, מברשות ומכחולים. צבעי אקריליק ופוליאור על בסיב מים, סופרקריל לבן, לכה שקופה על בסיס מים, פחם סינטטי ודפי ציור.\r\n\r\n\r\n\r\n\r\nעלות הפרויקט \r\nחומרים – 2000  ₪.\r\n שכר עבודת האמן כ- 7000 ₪.\r\n\r\n\r\nקיר נוסף שאני מציע הוא קיר חוץ בתחילת רח\' האמוראים מימין למתנ\"ס שכרגע חשוף ועשוי מלבנים אפורות . בין שאר הדימויים, בשל שמו ומיקומו מתבקשת התייחסות לשמו בארמית .\r\n\r\n\r\nמשך הפרויקט – 8 מפגשים\r\n\r\nחומרים – 1000 שח\"\r\n\r\nעלות שכר אמן - 3000 ש\"ח .\r\n\r\n\r\n\r\n\r\n                                                                             תודה\r\n                                                                             אשמח לשתף פעולה\r\n                                                                             חגי ארגוב\r\n                                                                          054-8011391',0,'0','Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 5.1; SIMBAR={65F5CA72-63A8-453C-ACF6-F21F295D2716}; .NET CLR 2.0.50727; .NET CLR 3.0.4506.2152; .NET CLR 3.5.30729; AskTB5.6)','',0,0),(5,185,'מרקו','mariki@zahav.net.il','','84.228.23.231','2010-07-29 00:47:02','2010-07-28 21:47:02','אהלן תיקי. \r\nקראתי בהתפעלות ובהתרגשות את הטקסט הנוגע שלך. תיאורי חוויתייך כאשת חינוך  המשולבים בזכרונות הילדות שלך מעוררים עניין וטעם של עוד.מדבריך עולים רגש, היגיון וחזון. המשיכי לכתוב, יהיה מסקרן לקרוא. \r\nמרקו.',0,'1','Mozilla/5.0 (Windows; U; Windows NT 5.1; he; rv:1.9.2.8) Gecko/20100722 Firefox/3.6.8 ( .NET CLR 3.5.30729)','',0,0),(6,185,'איציק','itsik.sades@walla.co.il','','77.126.184.38','2010-07-29 15:45:29','2010-07-29 12:45:29','אמא יקרה.\r\nנהנהתי לקרוא את החיבור שכתבת. הכנות והרגישות שבהם את מתארת את עשייתך החינוכית מעוררים בי השראה. ניכר כי את מזוהה עם עולם הילדים ואוהבת את מה שאת עושה. היכולת שלך למצוא שפה משותפה עם כל ילד וילד, היחס האישי והחם שאותו את מעניקה, ואמונתך ביכולותיהם של אילו שאותם את מובילה הופכים אותך לכל כך מיוחד.\r\nאני שמח לראות שאת בכל פעם מוצאת את הדרך  לממש את כישורייך האינטלקטואלים שהופיעו הפעם בכתיבה אינטליגנטית ורגישה.\r\nכולי צפיה לחיבור הבא.\r\nבנך איציק.',0,'1','Mozilla/5.0 (Windows; U; Windows NT 5.1; he; rv:1.8.1.20) Gecko/20081217 Firefox/2.0.0.20 (.NET CLR 3.5.30729)','',0,0),(16,668,'ג&#039;סי כהן &raquo; קיץ חם בג&#8217;סי | הופעות הסיום','','http://jessy.digitalartlab.org.il/?p=711','217.112.82.13','2010-09-21 14:47:46','2010-09-21 12:47:46','[...] בנוסף יתקיים ביום ראשון בשעה 18:00 לפני ההופעה מפגש אמן עם מאיר טאטי.  [...]',0,'1','The Incutio XML-RPC PHP Library -- WordPress/3.0.1','pingback',0,0),(8,94,'עדיה','adi_p_ela@walla.com','','79.183.10.44','2010-08-06 00:40:39','2010-08-05 21:40:39','נשמע מדהים\r\nמתי זה ? (תאריך )',0,'1','Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 6.0; GTB6.5; SLCC1; .NET CLR 2.0.50727; Media Center PC 5.1; InfoPath.1; .NET CLR 3.5.30729; .NET CLR 3.0.30618; .NET4.0C)','',0,0),(38,954,'נלה','nella.m.c@gmail.com','','77.124.164.94','2010-12-02 10:04:30','2010-12-02 08:04:30','וואו, איזה שיר אמיץ, וכמה קל להתחבר אליו!',0,'1','Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.9.2.3) Gecko/20100401 Firefox/3.6.3 ( .NET CLR 3.5.30729)','',0,0),(25,185,'יפה .ס','yaffa47@gmail.com','','77.127.34.216','2010-10-09 23:01:42','2010-10-09 21:01:42','לתיקי היקרה,\r\nאהבתי לקרוא את סיפור חייך, הדרך שבה שילבת את ילדותך ועד היותך סבתא נהדרת וקשובה, שמשלבת את חיי היומיום שלך הן בחינוך הנכד, והן את כשרונך בחינוך ילדי הגן שבו את עובדת.\r\nחן חן לך, כן יירבו אנשים ומחנכים כמוך.',0,'1','Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 5.1; BTRS28059; InfoPath.2; .NET CLR 2.0.50727)','',0,0),(37,857,'נלה','nella.m.c@gmail.com','','77.124.164.94','2010-12-02 09:52:33','2010-12-02 07:52:33','הי רותי, \r\nקראתי עכשיו את הטקסט שלך, והנה מתבהרות התמונות,\r\nלהת\', נלה',0,'1','Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.9.2.3) Gecko/20100401 Firefox/3.6.3 ( .NET CLR 3.5.30729)','',0,0),(35,928,'tbxsooj','bcznkf@mvxtkv.com','http://kfqkqzpzhjud.com/','193.251.160.120','2010-11-25 01:36:38','2010-11-24 23:36:38','KQIpq1  <a href=\"http://ywtwtadyeqop.com/\" rel=\"nofollow\">ywtwtadyeqop</a>, [url=http://eolrabjhkmva.com/]eolrabjhkmva[/url], [link=http://fleyykyheurb.com/]fleyykyheurb[/link], http://ylvpivuyitxu.com/',0,'trash','Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1; SV1)','',0,0),(29,857,'הדס ערער (ליטמן)','hadasrr@gmail.com','','89.138.254.104','2010-10-27 20:13:01','2010-10-27 18:13:01','הי רותי, \r\n\r\n\r\nמרגש אותי לשמוע את זכרונותיך. \r\n\r\nרק שטעית שמי -  הדס ולא אלה. \r\n\r\nלהשתמע, הדס',0,'1','Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 5.1; Trident/4.0; GTB6.6; .NET CLR 2.0.50727; .NET CLR 3.0.4506.2152; .NET CLR 3.5.30729)','',0,0),(30,943,'גיל דורון','GILMDORON@GMAIL.COM','http://www.facebook.com/profile.php?id=100001692272001','87.69.177.15','2010-11-21 21:42:34','2010-11-21 19:42:34','מלכה שלום \r\n\r\nאני מצטער שזה לא יצא. להלן האתר של הפרויקט שלנו. חוץ מזה אנחנו נעשה תערוכה של הבניינים בהם עבדנו בעוד כשבועיים (בגאונים ובזורבבל) ואחרי שהדיירים יראו אותה אולי הם ירצו להשתתף בפרויקט מסוג זה בשנת הלימודים הבאה. לגבי התערוכה בדקי את האתר לתאריך המדויק. \r\nגיל',0,'1','Mozilla/5.0 (Windows; U; Windows NT 6.1; en-US) AppleWebKit/534.7 (KHTML, like Gecko) Chrome/7.0.517.44 Safari/534.7','',0,0),(31,928,'טל חנן','tal_h123@walla.co.il','','79.180.106.14','2010-11-22 23:33:15','2010-11-22 21:33:15','הי רחל\r\n\r\nאיזה כיף לראות מאמר שלך באתר, נהניתי לקרוא, פשוט, תמציתי ויפה. המשיכי לפרסם.\r\nטל',0,'1','Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 5.1; Trident/4.0; .NET CLR 2.0.50727; .NET CLR 3.0.04506.30; .NET CLR 3.0.4506.2152; .NET CLR 3.5.30729)','',0,0),(32,954,'טל חנן','tal_h123@walla.co.il','','79.180.106.14','2010-11-23 19:06:38','2010-11-23 17:06:38','היי ג\'וליה\r\n\r\nאיזה שיר יפה ומרגש, את פשוט מוכשרת בטירוף, אל תפסיקי לכתוב לעולם, ואולי עוד נקנה ספר שירים שלך.\r\nבאהבה,\r\nטל',0,'1','Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 5.1; Trident/4.0; .NET CLR 2.0.50727; .NET CLR 3.0.04506.30; .NET CLR 3.0.4506.2152; .NET CLR 3.5.30729)','',0,0),(33,963,'הילה','mjjfan@walla.com','','85.250.175.222','2010-11-23 23:45:19','2010-11-23 21:45:19','אמא הכי מדהימה בעולם,\r\nמכתב מקסים ומרגש, מעלה זכרונות.\r\n\r\nאוהבת\r\nהילה.',0,'1','Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 5.1; Trident/4.0; .NET CLR 3.0.4506.2152; .NET CLR 3.5.30729; InfoPath.2; .NET CLR 2.0.50727)','',0,0),(34,928,'רותי מזרחי','rutim_53@walla.com','','77.124.72.39','2010-11-24 22:29:25','2010-11-24 20:29:25','אחותי היקרה! במילה אחת: ח ז ק!!!',0,'1','Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 5.1; Trident/4.0; .NET CLR 2.0.50727; .NET CLR 3.0.4506.2152; .NET CLR 3.5.30729; OfficeLiveConnector.1.3; OfficeLivePatch.0.0; AskTB5.4)','',0,0),(40,32,'zizdnssic','ovmdod@lqxldm.com','http://puawwlxtoign.com/','95.66.41.1','2010-12-23 06:31:29','2010-12-23 04:31:29','Q872qU  <a href=\"http://atdizkpnunun.com/\" rel=\"nofollow\">atdizkpnunun</a>, [url=http://kleuhmrveqlm.com/]kleuhmrveqlm[/url], [link=http://rslqpfymbnef.com/]rslqpfymbnef[/link], http://llrjcdhwboqg.com/',0,'spam','Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1; SV1)','',0,0),(41,1067,'איציק סדס','itsik_sades@walla.co.il','','77.126.126.13','2010-12-24 22:14:43','2010-12-24 20:14:43','אמא יקרה.\r\nכפי שמשתקף בתיאורך, המופע היה באמת מיוחד ומרגש.\r\nאך עבורי לערב זה היתה משמעות נוספת: לראותך מגיעה לירושלים, נחשפת לעשייתי החינוכית, פוגשת את תלמידי ומתגאה במעשי הייתה בשבילי חוויה שעמדה בפני  עצמה. שמחתי לראותך לוקחת חלק בערב חשוב זה ושמחתי יותר כשתיעדת אותו והעלת אותו על הכתב.\r\nהמשיכי בעשייה מבורכת זו.\r\nשלך,\r\nבנך הגאה.',0,'0','Mozilla/5.0 (Windows; U; Windows NT 6.1; he; rv:1.9.2.13) Gecko/20101203 Firefox/3.6.13','',0,0);
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הקישור</p>\n<p><span id=\"more-189\"></span></p>\n<p><a href=\"http://wordpress.org/news/2010/07/wordpress-3-0-1/\">הודעת השחרור של WordPress 3.0.1</a></p>\n<p>וורדפרס 3.0.1 בעברית זמינה לראשונה להורדה בחבילה המתאימה לשרתי IIS ולשימוש עם גלריית יישומי הרשת של מיקרוסופט. <a href=\"http://he.wordpress.org/builds/he_IL/tags/3.0.1/wordpress-3.0.1-IIS-he_IL.zip\">להורדת וורדפרס 3.0.1 בעברית לשרתי 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href=\"http://docs.wph.co.il/wiki/%D7%94%D7%AA%D7%A7%D7%A0%D7%AA_%D7%95%D7%95%D7%A8%D7%93%D7%A4%D7%A8%D7%A1_%D7%91%D7%A2%D7%91%D7%A8%D7%99%D7%AA\">הוראות  התקנה של וורדפרס</a></li>\n<li><a href=\"http://docs.wph.co.il/wiki/%D7%A9%D7%93%D7%A8%D7%95%D7%92_%D7%95%D7%95%D7%A8%D7%93%D7%A4%D7%A8%D7%A1_%D7%91%D7%A2%D7%91%D7%A8%D7%99%D7%AA\">הוראות  שדרוג של וורדפרס</a></li>\n<li><a href=\"http://www.youtube.com/watch?v=0UsMzLFg_gE\">מדריך וידאו להתקנה  ותחילת השימוש בוורדפרס</a></li>\n</ul>\n<p><a href=\"http://he.wordpress.org/releases/\">הורדות נוספות של וורדפרס  בעברית</a></p>\n<h4>מידע  נוסף על וורדפרס 3.0</h4>\n<ul>\n<li><a href=\"http://wordpress.tv/2010/06/17/introducing-wordpress-3-0/\">סרטון  הדגמה של WordPress 3.0</a> (באנגלית)</li>\n<li><a href=\"http://ranh.co.il/792/\">צילומי מסך מגרסה הפיתוח של וורדפרס 3.0</a></li>\n<li><a href=\"http://codex.wordpress.org/Version_3.0\">פירוט מלא של התכונות החדשות בוורדפרס 3.0</a></li>\n<li><a 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קצר.</p>\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:64:\"http://he.wordpress.org/2010/06/19/wordpress-3-0-in-hebrew/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:1:\"6\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:6;a:6:{s:4:\"data\";s:53:\"\n		\n		\n		\n		\n		\n				\n		\n		\n		\n		\n\n		\n		\n			\n			\n		\n		\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:5:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:33:\"וורדפרס 2.9.2 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המוצע </span>(<span style=\"font-family: Tahoma;\">לא יותר מדף </span>A4)\r\n\r\n<span style=\"font-family: Tahoma;\">תאור של מעורבות עם גורמים שונים בשכונה</span>, <span style=\"font-family: Tahoma;\">קהילה</span>, <span style=\"font-family: Tahoma;\">עיריה</span>,\r\n\r\n<span style=\"font-family: Tahoma;\">תאור דרכי היישום של הפרויקט</span>- <span style=\"font-family: Tahoma;\">עם מי עובדים</span>, <span style=\"font-family: Tahoma;\">צרכים טכניים</span>\r\n\r\n<span style=\"font-family: Tahoma;\">תקציב של הפרויקט</span>\r\n\r\n<span style=\"font-family: Tahoma;\">משך הפרויקט</span>\r\n\r\n<span style=\"font-family: Tahoma;\">עדיפות תינתן לפרויקטים שלוקחים בחשבון את הצרכים המיוחדים של הקהלים והקהילות איתם הם יעבדו</span>, <span style=\"font-family: Tahoma;\">פרויקטים שיצליחו לעודד הבאת קהל מחוץ לשכונה אליה</span>, <span style=\"font-family: Tahoma;\">פרויקטים שיראו בקהילת האמנות קהל יעד ויבקשו לבחון את האפשרויות של האמנות בפעולה בקהילה, פרויקטים המאפשרים תהליך עבודה ממשוך ומשמעותי ופרויקטים שיש להם פוטנציאל המשכיות</span>.\r\n\r\n<span style=\"font-family: Tahoma;\">המרכז לאמנות דיגיטלית ומתנ</span>\"<span style=\"font-family: Tahoma;\">ס לזרוס ביחד עם גורמים עירוניים נוספים יוכלו לספק עזרה בשלבי המחקר והביצוע של הפרויקטים על ידי תיאום עם גורמים בעיר ובשכונה</span>, <span style=\"font-family: Tahoma;\">עזרה בהפקה</span>, <span style=\"font-family: Tahoma;\">בהשגת חללים לעבודה ולתצוגה ובחשיפה של הפרויקטים לקהל הרחב</span>.','קריאה להצעות','','publish','open','open','','hello-world','','','2010-04-08 13:45:00','2010-04-08 10:45:00','',0,'http://jessy.digitalartlab.org.il/?p=1',0,'post','',1),(2,1,'2010-03-14 14:55:59','2010-03-14 14:55:59','<span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">פרויקט ג\'סי כהן הוא יוזמה של המרכז הישראלי לאמנות דיגיטלית, חולון המבקש לבחון כיצד האמנות יכולה לקחת חלק בתהליכים של שינוי בקנה מידה של שכונה ועיר על ידי עבודה משותפת עם גופים וכלים אחרים </span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">(</span></span><span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">עירוניים</span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">, </span></span><span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">ממשלתיים</span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">, </span></span><span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">פרטיים</span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">) </span></span><span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">ומבלי לבוא במקומם</span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">. </span></span>\r\n\r\n<span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">הפרויקט יימשך שנתיים </span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">(2010-2011) </span></span><span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">במהלכן צריכים להתקיים הפרויקטים השונים בשכונה ולהסתיים</span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">. </span></span><span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">עם זאת אנו נעודד פרויקטים שלוקחים בחשבון פיתוח דרכים להמשכיות שאינן תלויות במימון של המרכז ופרויקטים שמשאירים תוצר לשכונה גם אחרי שמסתיימים</span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">. </span></span><span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">הכוונה היא לאפשר עבודה ארוכת טווח ומעורבות של אמנים בתוך השכונה לצד עבודה משותפת עם גורמים פעילים אחרים בשכונה כמו המתנ</span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">\"</span></span><span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">ס</span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">, </span></span><span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">בתיה</span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">\"</span></span><span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">ס</span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">, </span></span><span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">מחלקות שונות בעיריה וכו</span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">\'.</span></span>\r\n\r\n<span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">במהלך החודשים האחרונים ערכנו </span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">סדרה של מפגשים עם אנשי מפתח בשכונה עצמה או בארגונים הקשורים לשכונה על מנת לקבל מידע בסיסי ולזהות שותפים פוטנציאלים לפרויקט</span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">. </span></span><span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">בעקבות פגישות אלו מסתמנים כמה קווים מנחים לגבי דרך העבודה המתוכננת וזוהו צרכים וכיווני פעולה אפשריים</span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">:</span></span>\r\n\r\n<strong>1. יצירת מקום לתרבות של הקהילות השונות בשכונה במרחב הציבורי והעצמה של הקהילה דרך הפעילות.\r\n2. סיפורי חיים. עבודה עם תושבים סביב נרטיביים פרטיים / קהילתיים והפיכתם לחלק מהמרחב הציבורי. עבודה שיכולה לגעת במעגלים רחבים של פעילות- ראיונות, סדנאות וידיאו, אינטרנט, הקרנות במרחב הציבורי-פרטי.\r\n3. פתיחת חלל של הפרויקט בשכונה שישמש לתצוגה, מפגשים, סדנאות. מקום שמרכז את הפרויקט ותהיה לו נוכחות בולטת בשכונה.\r\n4. ניצול ידע מקומי- סדנאות של ידע מקומי שמעבירים תושבים לתושבים.\r\n5. ניצול שטחים פתוחים ציבוריים בשכונה ובחצרות הבתים.\r\n6. סדרה של כנסים/הרצאות/מפגשים של אמנים, אקטיביסטים וכו\' כחלק מהידע שהפרויקט מייצר.\r\n7. הפרויקט יציע צורות שונות של אירוח אמנים בשכונה ומתן אפשרות לחללי עבודה.\r\n8. גילוי מחדש של השכונה דרך סיורים ומיפוי שלה.\r\n9. משחקים בקנה מידה עירוני.\r\n10. פרויקט של רדיו שכונתי בשיתוף עם רדיו חלאס (www.halas.am).\r\n11. פרויקטים שמאפשרים תיווך בין האוכלוסייה לגורמים כמו עיריה, ממשלה וכו\' על ידי ויזואליזציה של מידע, יצירת מודעות לזכויות וכו\'.</strong>\r\n\r\n\r\n	\r\n	\r\nA Sign in the Jessie Cohen Neighbourhood, Holon\r\n	\r\n	\r\n\r\nThe Jessie Cohen Project is an initiative of the Israeli Center for Digital Art, Holon, that seeks to explore how art can take part in the processes of change on a city or neighbourhood scale, by working side by side with other municipal, governmental, and private institutions and the tools available to them.\r\n\r\nThe Jessie Cohen Project will take place over the course of two years (2010, 2011) during which various art projects will take place. However, we encourage the development of projects that take into account sustainability beyond 2011 that can be funded independently of the center in Holon. The intention is to enable the long-term involvement of artists in the neighborhood in collaboration with other \"players\" like the neighborhood community center, elementary and junior high schools, various municipal departments, etc.\r\n\r\nIn recent months, project coordinators, Eyal Danon and Ran Kasmy Ilan, conducted a series of meetings with key people and organizations in or relating to the neighborhood to get basic information and identify potential partners for the project. These meetings revealed a few guidelines about how our work needs to be conducted and possible courses of action:\r\n\r\n1. Creating a place of culture for the different communities in the public sphere through community empowerment activities.\r\n2. Hearing life stories and working with residents around private/communal narratives and turning them into part of the public sphere. This could take the form of a wide breadth of activity - interviews, video workshops, Internet platforms, and screenings in the public/private sphere.\r\n3. Opening a project space in the neighbourhood to be used for exhibitions, meetings, workshops, and which centers the project and has a prominent presence in the neighbourhood.\r\n4. Exploring local knowledge and considering workshops exploring local knowledge transfer between residents.\r\n5. Utilizing open, public spaces and private courtyards.\r\n6. Organizing a series of conferences / lectures / meetings of artists, activists, etc. as part of the local production of knowledge.\r\n7. Offering various forms of hosting artists in the neighborhood and creating working spaces.\r\n8. Rediscovering the neighbourhood through tours and mapping.\r\n9. Gaming on an urban-scale.\r\n10. Founding a neighbourhood radio project in collaboration with Radio Halas (www.halas.am).\r\n11. Mediating between the population and \"players\" in the municipality, government, etc. by the visualization of information, creating an awareness of rights and so on.','אודות','','publish','open','open','','about','','','2010-06-29 19:27:53','2010-06-29 16:27:53','',0,'http://jessy.digitalartlab.org.il/?page_id=2',0,'page','',0),(3,1,'2010-03-18 17:48:38','2010-03-18 15:48:38','<!-- 		@page { margin: 0.79in } 		P { margin-bottom: 0.08in } --><span style=\"font-family: Tahoma;\">פריקט ג</span>\'<span style=\"font-family: Tahoma;\">סי כהן</span>\n\n<span style=\"font-family: Tahoma;\">מועד אחרון להגשה</span>: 20.4.2010\n\n<span style=\"font-family: Tahoma;\">הצעות לפרויקטים יכולות או צריכות לבוא מתוך תהליך של שהות ומחקר בשכונה ודיאלוג עם גורמים שונים בשכונה</span>, <span style=\"font-family: Tahoma;\">בקהילה ובעיר</span>. <span style=\"font-family: Tahoma;\">המפגש בשכונה מטרתו לתת מידע מרוכז והכרות עם גורמים שונים בשכונה ובעיר על מנת לאפשר גישה אליהם במהלך הכנת ההצעות</span>.\n\n<span style=\"font-family: Tahoma;\">על הפרויקטים המוצעים להתבצע במהלך השנתיים בהן הפרויקט בג</span>\'<span style=\"font-family: Tahoma;\">סי יתקיים</span>.\n\n<span style=\"font-family: Tahoma;\">ההצעות צריכות לכלול</span>:\n\n<span style=\"font-family: Tahoma;\">תאור קצר של הפרויקט המוצע </span>(<span style=\"font-family: Tahoma;\">לא יותר מדף </span>A4)\n\n<span style=\"font-family: Tahoma;\">תאור של מעורבות עם גורמים שונים בשכונה</span>, <span style=\"font-family: Tahoma;\">קהילה</span>, <span style=\"font-family: Tahoma;\">עיריה</span>,\n\n<span style=\"font-family: Tahoma;\">תאור דרכי היישום של הפרויקט</span>- <span style=\"font-family: Tahoma;\">עם מי עובדים</span>, <span style=\"font-family: Tahoma;\">צרכים טכניים</span>\n\n<span style=\"font-family: Tahoma;\">תקציב של הפרויקט</span>\n\n<span style=\"font-family: Tahoma;\">משך הפרויקט</span>\n\n<span style=\"font-family: Tahoma;\">עדיפות תינתן לפרויקטים שלוקחים בחשבון את הצרכים המיוחדים של הקהלים והקהילות איתם הם יעבדו</span>, <span style=\"font-family: Tahoma;\">פרויקטים שיצליחו לעודד הבאת קהל מחוץ לשכונה אליה</span>, <span style=\"font-family: Tahoma;\">פרויקטים שיראו בקהילת האמנות קהל יעד ויבקשו לבחון את האפשרויות של האמנות בפעולה בקהילהף פרויקטים המאפשרים תהליך עבודה ממשוך ומשמעותי ופרויקטים שיש להם פוטנציאל המשכיות</span>.\n\n<span style=\"font-family: Tahoma;\">המרכז לאמנות דיגיטלית ומתנ</span>\"<span style=\"font-family: Tahoma;\">ס לזרוס ביחד עם גורמים עירוניים נוספים יוכלו לספק עזרה בשלבי המחקר והביצוע של הפרויקטים על ידי תיאום עם גורמים בעיר ובשכונה</span>, <span style=\"font-family: Tahoma;\">עזרה בהפקה</span>, <span style=\"font-family: Tahoma;\">בהשגת חללים לעבודה ולתצוגה ובחשיפה של הפרויקטים לקהל הרחב</span>.','קריאה להצעות','','inherit','open','open','','1-autosave','','','2010-03-18 17:48:38','2010-03-18 15:48:38','',1,'http://jessy.digitalartlab.org.il/?p=3',0,'revision','',0),(4,1,'2010-03-18 17:38:36','2010-03-18 15:38:36','<span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">פרויקט ג\'סי כהן הוא יוזמה של המרכז הישראלי לאמנות דיגיטלית, חולון המבקש לבחון כיצד האמנות יכולה לקחת חלק בתהליכים של שינוי בקנה מידה של שכונה ועיר על ידי עבודה משותפת עם גופים וכלים אחרים </span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">(</span></span><span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">עירוניים</span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">, </span></span><span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">ממשלתיים</span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">, </span></span><span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">פרטיים</span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">) </span></span><span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">ומבלי לבוא במקומם</span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">. </span></span>\n\n<span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">הפרויקט יימשך שנתיים </span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">(2010-2011) </span></span><span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">במהלכן צריכים להתקיים הפרויקטים השונים בשכונה ולהסתיים</span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">. </span></span><span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">עם זאת אנו נעודד פרויקטים שלוקחים בחשבון פיתוח דרכים להמשכיות שאינן תלויות במימון של המרכז ופרויקטים שמשאירים תוצר לשכונה גם אחרי שמסתיימים</span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">. </span></span><span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">הכוונה היא לאפשר עבודה ארוכת טווח ומעורבות של אמנים בתוך השכונה לצד עבודה משותפת עם גורמים פעילים אחרים בשכונה כמו המתנ</span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">\"</span></span><span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">ס</span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">, </span></span><span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">בתיה</span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">\"</span></span><span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">ס</span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">, </span></span><span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">מחלקות שונות בעיריה וכו</span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">\'.</span></span>\n\n<span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">במהלך החודשים האחרונים ערכנו </span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">סדרה של מפגשים עם אנשי מפתח בשכונה עצמה או בארגונים הקשורים לשכונה על מנת לקבל מידע בסיסי ולזהות שותפים פוטנציאלים לפרויקט</span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">. </span></span><span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">בעקבות פגישות אלו מסתמנים כמה קווים מנחים לגבי דרך העבודה המתוכננת וזוהו צרכים וכיווני פעולה אפשריים</span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">:</span></span>\n\n<strong>1. יצירת מקום לתרבות של הקהילות השונות בשכונה במרחב הציבורי והעצמה של הקהילה דרך הפעילות.\n2. סיפורי חיים. עבודה עם תושבים סביב נרטיביים פרטיים / קהילתיים והפיכתם לחלק מהמרחב הציבורי. עבודה שיכולה לגעת במעגלים רחבים של פעילות- ראיונות, סדנאות וידיאו, אינטרנט, הקרנות במרחב הציבורי-פרטי.\n3. פתיחת חלל של הפרויקט בשכונה שישמש לתצוגה, מפגשים, סדנאות. מקום שמרכז את הפרויקט ותהיה לו נוכחות בולטת בשכונה.\n4. ניצול ידע מקומי- סדנאות של ידע מקומי שמעבירים תושבים לתושבים.\n5. ניצול שטחים פתוחים ציבוריים בשכונה ובחצרות הבתים.\n6. סדרה של כנסים/הרצאות/מפגשים של אמנים, אקטיביסטים וכו\' כחלק מהידע שהפרויקט מייצר.\n7. הפרויקט יציע צורות שונות של אירוח אמנים בשכונה ומתן אפשרות לחללי עבודה.\n8. גילוי מחדש של השכונה דרך סיורים ומיפוי שלה.\n9. משחקים בקנה מידה עירוני.\n10. פרויקט של רדיו שכונתי בשיתוף עם רדיו חלאס (www.halas.am).\n11. פרויקטים שמאפשרים תיווך בין האוכלוסייה לגורמים כמו עיריה, ממשלה וכו\' על ידי ויזואליזציה של מידע, יצירת מודעות לזכויות וכו\'.</strong>','אודות','','inherit','open','open','','2-autosave','','','2010-03-18 17:38:36','2010-03-18 15:38:36','',2,'http://jessy.digitalartlab.org.il/?p=4',0,'revision','',0),(5,1,'2010-03-14 14:55:59','2010-03-14 14:55:59','זהו עמוד לדוגמה בוורדפרס. אפשר לערוך את המידע הזה ולהוסיף מידע אישי, כדי שהקוראים יכירו אותך טוב יותר. אפשר ליצור עוד עמודים ותתי-עמודים כאלה, ולנהל את כל התכנים שלך בתוך וורדפרס.','אודות','','inherit','open','open','','2-revision','','','2010-03-14 14:55:59','2010-03-14 14:55:59','',2,'http://jessy.digitalartlab.org.il/?p=5',0,'revision','',0),(6,1,'2010-03-14 14:55:59','2010-03-14 14:55:59','ברוכים הבאים לוורדפרס! זה הפוסט הראשון; אפשר למחוק או לערוך אותו, ולהתחיל לכתוב!','שלום עולם!','','inherit','open','open','','1-revision','','','2010-03-14 14:55:59','2010-03-14 14:55:59','',1,'http://jessy.digitalartlab.org.il/?p=6',0,'revision','',0),(41,1,'2010-03-18 17:02:43','2010-03-18 15:02:43','<span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">פרויקט ג\'סי כהן הוא יוזמה של המרכז הישראלי לאמנות דיגיטלית, חולון המבקש לבחון כיצד האמנות יכולה לקחת חלק בתהליכים של שינוי בקנה מידה של שכונה ועיר על ידי עבודה משותפת עם גופים וכלים אחרים </span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">(</span></span><span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">עירוניים</span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">, </span></span><span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">ממשלתיים</span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">, </span></span><span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">פרטיים</span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">) </span></span><span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">ומבלי לבוא במקומם</span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">. </span></span>\r\n\r\n<span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">הפרויקט יימשך שנתיים </span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">(2010-2011) </span></span><span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">במהלכן צריכים להתקיים הפרויקטים השונים בשכונה ולהסתיים</span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">. </span></span><span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">עם זאת אנו נעודד פרויקטים שלוקחים בחשבון פיתוח דרכים להמשכיות שאינן תלויות במימון של המרכז ופרויקטים שמשאירים תוצר לשכונה גם אחרי שמסתיימים</span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">. </span></span><span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">הכוונה היא לאפשר עבודה ארוכת טווח ומעורבות של אמנים בתוך השכונה לצד עבודה משותפת עם גורמים פעילים אחרים בשכונה כמו המתנ</span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">\"</span></span><span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">ס</span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">, </span></span><span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">בתיה</span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">\"</span></span><span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">ס</span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">, </span></span><span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">מחלקות שונות בעיריה וכו</span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">\'.</span></span>\r\n\r\n<span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">במהלך החודשים האחרונים ערכנו </span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">סדרה של מפגשים עם אנשי מפתח בשכונה עצמה או בארגונים הקשורים לשכונה על מנת לקבל מידע בסיסי ולזהות שותפים פוטנציאלים לפרויקט</span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">. </span></span><span style=\"font-family: Tahoma;\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">בעקבות פגישות אלו מסתמנים כמה קווים מנחים לגבי דרך העבודה המתוכננת וזוהו צרכים וכיווני פעולה אפשריים</span></span></span><span style=\"font-family: Arial,sans-serif;\"><span style=\"font-size: small;\">:</span></span>\r\n\r\n<strong>1. יצירת מקום לתרבות של הקהילות השונות בשכונה במרחב הציבורי והעצמה של הקהילה דרך הפעילות.\r\n2. סיפורי חיים. עבודה עם תושבים סביב נרטיביים פרטיים / קהילתיים והפיכתם לחלק מהמרחב הציבורי. עבודה שיכולה לגעת במעגלים רחבים של פעילות- ראיונות, סדנאות וידיאו, אינטרנט, הקרנות במרחב הציבורי-פרטי.\r\n3. פתיחת חלל של הפרויקט בשכונה שישמש לתצוגה, מפגשים, סדנאות. מקום שמרכז את הפרויקט ותהיה לו נוכחות בולטת בשכונה.\r\n4. ניצול ידע מקומי- סדנאות של ידע מקומי שמעבירים תושבים לתושבים.\r\n5. ניצול שטחים פתוחים ציבוריים בשכונה ובחצרות הבתים.\r\n6. סדרה של כנסים/הרצאות/מפגשים של אמנים, אקטיביסטים וכו\' כחלק מהידע שהפרויקט מייצר.\r\n7. הפרויקט יציע צורות שונות של אירוח אמנים בשכונה ומתן אפשרות לחללי עבודה.\r\n8. גילוי מחדש של השכונה דרך סיורים ומיפוי שלה.\r\n9. משחקים בקנה מידה עירוני.\r\n10. פרויקט של רדיו שכונתי בשיתוף עם רדיו חלאס (www.halas.am).\r\n11. פרויקטים שמאפשרים תיווך בין האוכלוסייה לגורמים כמו עיריה, ממשלה וכו\' על ידי ויזואליזציה של מידע, יצירת מודעות לזכויות וכו\'.</strong>','אודות','','inherit','open','open','','2-revision-2','','','2010-03-18 17:02:43','2010-03-18 15:02:43','',2,'http://jessy.digitalartlab.org.il/?p=41',0,'revision','',0),(11,1,'2010-04-05 02:27:33','2010-04-04 23:27:33','<object width=\"560\" height=\"450\"><param name=\"movie\" value=\"http://www.youtube.com/v/zcXOhfPHRHA&amp;hl=en_US&amp;fs=1?color1=0x006699&amp;color2=0x54abd6&amp;border=1\"></param><param name=\"allowFullScreen\" value=\"true\"></param><param name=\"allowscriptaccess\" value=\"always\"></param><embed src=\"http://www.youtube.com/v/zcXOhfPHRHA&amp;hl=en_US&amp;fs=1?color1=0x006699&amp;color2=0x54abd6&amp;border=1\" type=\"application/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"560\" height=\"450\"></embed></object>\r\nTour in the Neighbourhood of Jessie Cohen – Yossi Zaida, 16.03.2010\r\n\r\n\r\nArt of every kind,\r\nEverything is open,\r\nWithout any limitations.\r\n\r\nI invite you, while we walk, to take a look at the houses, entrances, streets, and people, as a way to gauge the essence of the neighbourhood.\r\n\r\n[to the police car:]\r\n“Hey, How\'s it going? Cool.\r\nWe\'re starting a project called \'Artists in the Community\'\r\nWe want to start something, we\'ll see what happens.”\r\n\r\nWe\'ve arrived at the commercial center. We\'ll take a look around and speak to Amos, who is very familiar with the neighbourhood and the commercial centre.\r\n\r\n[To Amos:] \r\nAmos, we have here artists, residents, and people from the city. What can you tell us in five to seven minutes about the neighbourhood, the commercial centre, and your hopes and dreams, if you like?\r\n\r\n1:25\r\n[Amos:]\r\nI\'ve been living in this neighbourhood since the 60s, it\'s a very difficult neighbourhood, really. Some have succeeded and found a great future for themselves and some – in these last years the neighbourhood has deteriorated and people are really suffering. \r\n\r\nThis commercial centre sits on 6 dunam – and nothing, it\'s not helpful in any way – you\'ll notice that no one\'s around, no one\'s buying, the population isn\'t shopping here. Each sells to the next, like in the past. \r\n\r\n2:20\r\n[Female:]\r\nYou know, we\'re not so poor, I\'m not that poor. The physical project helped the neighbourhood. Look at what the houses look like today...\r\n\r\n[Yossi:]\r\nEveryone says what he feels and we shouldn\'t intervene. The feelings of another person are something...\r\n\r\n[Female:]\r\nI don\'t agree with him professing his poverty...\r\n\r\n[Yossi:]\r\nWell then, you\'ll have your opportunity to balance this \r\n\r\n2:40\r\n“Ron Movie Theatre” –  or what used to be, before there were chains of movie theatres, there was Ron Movie Theatre – one of the first in the city. The veterans of the city also remember Rina, Savoy and Migdal Movie Theatres (Armon, with wooden seating and Savoy, with cushioned and comfortable seating).\r\n\r\n3:00\r\nHere is the neighbourhood supermarket. Your eyes won\'t lie, what you see is what you get. This is the centre and I think – what many people think – is that if the commercial centre has a facelift, in any way, shape or form, it could be a very significant change. I sometimes hear people, when they enter the neighbourhood and see the commercial centre, say that it takes them back 30-40 years in development towns [new towns built for immigrants in Israel in the 50s and 60s]. I think that this centre, if we succeed in doing things here with the project, will pay proper tribute to the neighbourhood. \r\n\r\n3:45\r\n[Yossi to a curious neighbour:]\r\nThe idea is art in the community. Artists will come to the neighbourhood and create art and activities related to art with the residents, with results, results that last. And I\'m showing them different areas that could be relevant.\r\n\r\n[Neighbour:]\r\nAnd who are these people made up of?\r\n\r\n[Yossi:]\r\nThere are artists, municipal representatives – it\'s not related to renovations.\r\n\r\n4:05\r\nWhen they decided to pave the Ayalon South highway, as you\'re about to see, they essentially split, North to South, the neighbourhood of Jessie Cohen and other regions as well, starting from Jaffa to Bat Yam. The neighbourhood of Kiryat Micha (on the other side of the highway now) was part of Jessie Cohen and until today, on the municipal level, its city services are still based in Jessie Cohen – for example, their health service facilities are here. But they cannot access it directly, they have to go around the highway. \r\n\r\nThe highway also has implications for the commercial centre of the city. Where once many many people would come through a road connecting Bat Yam, Kiryat Micha, and Jessie Cohen to use the services of Jessie Cohen, today this cut [the highway] terminates this option, and is one of the reasons for the fading viability of the commercial centre. And without a doubt, it\'s one of the pressures on the neighbourhood as a whole. \r\n\r\n5:12\r\n[Rami Aharoni, from the Municipality of Holon:]\r\n[on the case of the old plan to rebuild this road as a motor bridge between the two sides of the Ayalon]\r\nIt\'s a classic example of how we must listen to everyone and never do what any of them wants. Essentially there are two buildings in the corner, that in 1994, did a local Intifada really. They said \'we won\'t allow it, no road will pass through here.\' In the original plans, there is a road here [that links between both sides of the Ayalon highway] and the Ayalon highway was supposed to fund it. Every engineer that was consulted on the project in the 80s spoke about maintaining the connection to Bat Yam because it was a necessity to the city. \r\n\r\nAnd they did what they did and the city didn\'t stand up to the pressure, perhaps because it was a young administration, and what happened in effect was that the builders of the Ayalon highway were all too happy to save themselves 20 million shekels at the time [by accommodating the residents\' desires and not building the proposed motor bridge between the separated regions]. Instead, they promised an elevator, with keys dispersed to all of the residents, which of course stopped working after about a year – an elevator which no one has the keys to – and thus, you can see how a very small population harmed the interests of a much larger population. They only thought of their own interests and didn\'t understand that they were cutting themselves off from another neighbourhood, health service facilities, the commercial centre, and even themselves. \r\n\r\n\r\n6:20 \r\nYou can see the gym of the Lezarus Communty Centre here, built 12 years ago with the support of a family from the United States – the Cantor family from Dayton, Ohio – and inaugurated in 1998. It\'s the only gym in the city that doesn\'t have air conditioning system. We\'ve received a budget from the city to deal with this and we are trying to raise more funds both from the family and elsewhere. The gym offers recreational activities to children, teens and adults; there is a workout gym that about 130 people work out in. \r\n\r\n7:10\r\nThis is a garden that you could say is mostly surrounded by residential buildings with new Ethiopian immigrants. This garden has turned into a community garden, as I call it, where the Ethiopian community converges; it could be a lovely place to do just about any kind of art. With the Ethiopian community residents and this garden, really charming things could happen. \r\n\r\n7:45\r\nWe are now at the Amutat Yad Le\'Haver [roughly “The Helping Hand Association”]. Amos Yerushalmy is its director and city council member. Unfortunately the issue of food distribution in the city is essential and significant. Hundreds of packages are distributed in many forms. \r\n\r\n8:05\r\n[Amos:]\r\nI think the State shouldn\'t shame people standing in line for food for Passover, New Year\'s, and throughout the rest of the year. \r\n\r\nThere are children in the city that my heart aches for – children that are wandering around with nothing to do. In our association, we are dealing with the subject of whoever is hungry arrives at our door. [video clip of rice for distribution] And there are many families, especially the elderly, but also children, that don\'t have the means to acquire this food on their own. So we won\'t save the world, but we\'ll do our best [video clip of the centre\'s clothing bank] \r\n\r\n8:50\r\nThe picture doesn\'t look good – really doesn\'t look good. You see these fences like some kind of prison [referring to the barbed wire surrounding the building] \r\n\r\n[Yossi:]\r\nWhy the fences, Amos?\r\n\r\nThey are there because there are some people that come in the night looking to “finish the morning.” That\'s how I\'ll put it. And I don\'t see a good future for these children. If they aren\'t in some framework and if we don\'t take the matter into our own hands, they\'ll go off the deep end, who knows how far. You, as artists, can help us greatly. So, I\'ll be happy to collaborate with you on any issue and maybe work together on shared projects.\r\n\r\n[Closing text:]\r\n\"Work proposals should take into account a commitment of time and dialogue with the “agents” of the neighbourhood and communities of Jessie Cohen and the city of Holon.\r\n\r\n','סיור בשכונת ג\'סי כהן | 16.3.2010','מפגש הכרות עם האנשים השונים שפעילים בשכונה על מנת לתת רקע על השכונה ולהזמין את קהילות האמנים, אדריכלים, פעילים, מעצבים לקחת חלק בפרויקט ולהציע מסגרות עבודה ופרויקטים. המפגש כלל סיור הכרות בשכונה והכרות עם שותפים פוטנציאלים לפרויקט, גורמים עירוניים מעורבים, פעילי שכונה ותושבים.','publish','open','open','','%d7%a1%d7%99%d7%95%d7%a8-%d7%91%d7%a9%d7%9b%d7%95%d7%a0%d7%aa-%d7%92%d7%a1%d7%99-%d7%9b%d7%94%d7%9f-16-3-2010-2','','','2010-08-06 06:57:35','2010-08-06 03:57:35','',0,'http://jessy.digitalartlab.org.il/?p=11',0,'post','',0),(12,1,'2010-04-05 02:20:52','2010-04-04 23:20:52','','סיור בשכונת ג\'סי כהן | 16.3.2010','','inherit','open','open','','11-revision','','','2010-04-05 02:20:52','2010-04-04 23:20:52','',11,'http://jessy.digitalartlab.org.il/?p=12',0,'revision','',0),(13,1,'2010-04-05 02:23:20','2010-04-04 23:23:20','<a href=\"http://www.youtube.com/watch?v=zcXOhfPHRHA\">סיור בג\\\'סי כהן</a>','סיור בשכונת ג\'סי כהן | 16.3.2010','','inherit','open','open','','11-revision-2','','','2010-04-05 02:23:20','2010-04-04 23:23:20','',11,'http://jessy.digitalartlab.org.il/?p=13',0,'revision','',0),(14,1,'2010-04-05 02:23:52','2010-04-04 23:23:52','<a href=\"http://www.youtube.com/watch?v=zcXOhfPHRHA\">סיור בג\\\'סי כהן</a>','סיור בשכונת ג\'סי כהן | 16.3.2010','','inherit','open','open','','11-revision-3','','','2010-04-05 02:23:52','2010-04-04 23:23:52','',11,'http://jessy.digitalartlab.org.il/?p=14',0,'revision','',0),(15,1,'2010-04-05 02:27:21','2010-04-04 23:27:21','<a href=\"http://www.youtube.com/watch?v=zcXOhfPHRHA\">וידיאו של הסיור</a>','סיור בשכונת ג\'סי כהן | 16.3.2010','','inherit','open','open','','11-revision-4','','','2010-04-05 02:27:21','2010-04-04 23:27:21','',11,'http://jessy.digitalartlab.org.il/?p=15',0,'revision','',0),(16,1,'2010-06-30 13:25:10','2010-06-30 10:25:10','<object width=\"420\" height=\"325\"><param name=\"movie\" value=\"http://www.youtube.com/v/zcXOhfPHRHA&hl=en_US&fs=1&\"></param><param name=\"allowFullScreen\" value=\"true\"></param><param name=\"allowscriptaccess\" value=\"always\"></param><embed src=\"http://www.youtube.com/v/zcXOhfPHRHA&hl=en_US&fs=1&\" type=\"application/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"420\" height=\"325\"></embed></object>\n\nTour in the Neighbourhood of Jessie Cohen – Yossi Zaida, 16.03.2010\n\n\nArt of every kind,\nEverything is open,\nWithout any limitations.\n\nI invite you, while we walk, to take a look at the houses, entrances, streets, and people, as a way to gauge the essence of the neighbourhood.\n\n[to the police car:]\n“Hey, How\'s it going? Cool.\nWe\'re starting a project called \'Artists in the Community\'\nWe want to start something, we\'ll see what happens.”\n\nWe\'ve arrived at the commercial center. We\'ll take a look around and speak to Amos, who is very familiar with the neighbourhood and the commercial centre.\n\n[To Amos:] \nAmos, we have here artists, residents, and people from the city. What can you tell us in five to seven minutes about the neighbourhood, the commercial centre, and your hopes and dreams, if you like?\n\n1:25\n[Amos:]\nI\'ve been living in this neighbourhood since the 60s, it\'s a very difficult neighbourhood, really. Some have succeeded and found a great future for themselves and some – in these last years the neighbourhood has deteriorated and people are really suffering. \n\nThis commercial centre sits on 6 dunam – and nothing, it\'s not helpful in any way – you\'ll notice that no one\'s around, no one\'s buying, the population isn\'t shopping here. Each sells to the next, like in the past. \n\n2:20\n[Female:]\nYou know, we\'re not so poor, I\'m not that poor. The physical project helped the neighbourhood. Look at what the houses look like today...\n\n[Yossi:]\nEveryone says what he feels and we shouldn\'t intervene. The feelings of another person are something...\n\n[Female:]\nI don\'t agree with him professing his poverty...\n\n[Yossi:]\nWell then, you\'ll have your opportunity to balance this \n\n2:40\n“Ron Movie Theatre” –  or what used to be, before there were chains of movie theatres, there was Ron Movie Theatre – one of the first in the city. The veterans of the city also remember Rina, Savoy and Migdal Movie Theatres (Armon, with wooden seating and Savoy, with cushioned and comfortable seating).\n\n3:00\nHere is the neighbourhood supermarket. Your eyes won\'t lie, what you see is what you get. This is the centre and I think – what many people think – is that if the commercial centre has a facelift, in any way, shape or form, it could be a very significant change. I sometimes hear people, when they enter the neighbourhood and see the commercial centre, say that it takes them back 30-40 years in development towns [new towns built for immigrants in Israel in the 50s and 60s]. I think that this centre, if we succeed in doing things here with the project, will pay proper tribute to the neighbourhood. \n\n3:45\n[Yossi to a curious neighbour:]\nThe idea is art in the community. Artists will come to the neighbourhood and create art and activities related to art with the residents, with results, results that last. And I\'m showing them different areas that could be relevant.\n\n[Neighbour:]\nAnd who are these people made up of?\n\n[Yossi:]\nThere are artists, municipal representatives – it\'s not related to renovations.\n\n4:05\nWhen they decided to pave the Ayalon South highway, as you\'re about to see, they essentially split, North to South, the neighbourhood of Jessie Cohen and other regions as well, starting from Jaffa to Bat Yam. The neighbourhood of Kiryat Micha (on the other side of the highway now) was part of Jessie Cohen and until today, on the municipal level, its city services are still based in Jessie Cohen – for example, their health service facilities are here. But they cannot access it directly, they have to go around the highway. \n\nThe highway also has implications for the commercial centre of the city. Where once many many people would come through a road connecting Bat Yam, Kiryat Micha, and Jessie Cohen to use the services of Jessie Cohen, today this cut [the highway] terminates this option, and is one of the reasons for the fading viability of the commercial centre. And without a doubt, it\'s one of the pressures on the neighbourhood as a whole. \n\n5:12\n[Rami Aharoni, from the Municipality of Holon:]\n[on the case of the old plan to rebuild this road as a motor bridge between the two sides of the Ayalon]\nIt\'s a classic example of how we must listen to everyone and never do what any of them wants. Essentially there are two buildings in the corner, that in 1994, did a local Intifada really. They said \'we won\'t allow it, no road will pass through here.\' In the original plans, there is a road here [that links between both sides of the Ayalon highway] and the Ayalon highway was supposed to fund it. Every engineer that was consulted on the project in the 80s spoke about maintaining the connection to Bat Yam because it was a necessity to the city. \n\nAnd they did what they did and the city didn\'t stand up to the pressure, perhaps because it was a young administration, and what happened in effect was that the builders of the Ayalon highway were all too happy to save themselves 20 million shekels at the time [by accommodating the residents\' desires and not building the proposed motor bridge between the separated regions]. Instead, they promised an elevator, with keys dispersed to all of the residents, which of course stopped working after about a year – an elevator which no one has the keys to – and thus, you can see how a very small population harmed the interests of a much larger population. They only thought of their own interests and didn\'t understand that they were cutting themselves off from another neighbourhood, health service facilities, the commercial centre, and even themselves. \n\n\n6:20 \nYou can see the gym of the Lezarus Communty Centre here, built 12 years ago with the support of a family from the United States – the Cantor family from Dayton, Ohio – and inaugurated in 1998. It\'s the only gym in the city that doesn\'t have air conditioning system. We\'ve received a budget from the city to deal with this and we are trying to raise more funds both from the family and elsewhere. The gym offers recreational activities to children, teens and adults; there is a workout gym that about 130 people work out in. \n\n7:10\nThis is a garden that you could say is mostly surrounded by residential buildings with new Ethiopian immigrants. This garden has turned into a community garden, as I call it, where the Ethiopian community converges; it could be a lovely place to do just about any kind of art. With the Ethiopian community residents and this garden, really charming things could happen. \n\n7:45\nWe are now at the Amutat Yad Le\'Haver [roughly “The Helping Hand Association”]. Amos Yerushalmy is its director and city council member. Unfortunately the issue of food distribution in the city is essential and significant. Hundreds of packages are distributed in many forms. \n\n8:05\n[Amos:]\nI think the State shouldn\'t shame people standing in line for food for Passover, New Year\'s, and throughout the rest of the year. \n\nThere are children in the city that my heart aches for – children that are wandering around with nothing to do. In our association, we are dealing with the subject of whoever is hungry arrives at our door. [video clip of rice for distribution] And there are many families, especially the elderly, but also children, that don\'t have the means to acquire this food on their own. So we won\'t save the world, but we\'ll do our best [video clip of the centre\'s clothing bank] \n\n8:50\nThe picture doesn\'t look good – really doesn\'t look good. You see these fences like some kind of prison [referring to the barbed wire surrounding the building] \n\n[Yossi:]\nWhy the fences, Amos?\n\nThey are there because there are some people that come in the night looking to “finish the morning.” That\'s how I\'ll put it. And I don\'t see a good future for these children. If they aren\'t in some framework and if we don\'t take the matter into our own hands, they\'ll go off the deep end, who knows how far. You, as artists, can help us greatly. So, I\'ll be happy to collaborate with you on any issue and maybe work together on shared projects.\n\n[Closing text:]\n\"Work proposals should take into account a commitment of time and dialogue with the “agents” of the neighbourhood and communities of Jessie Cohen and the city of Holon.\n\n<a href=\"http://jessy.digitalartlab.org.il/wp-content/uploads/2010/04/Picture-4.png\"><img src=\"http://jessy.digitalartlab.org.il/wp-content/uploads/2010/04/Picture-4.png\" alt=\"\" title=\"סיור אמנים בשכונה\" width=\"266\" height=\"231\" class=\"alignnone size-full wp-image-58\" /></a>','סיור בשכונת ג\'סי כהן | 16.3.2010','','inherit','open','open','','11-autosave','','','2010-06-30 13:25:10','2010-06-30 10:25:10','',11,'http://jessy.digitalartlab.org.il/?p=16',0,'revision','',0),(17,1,'2010-04-05 02:27:33','2010-04-04 23:27:33','<a href=\"http://www.youtube.com/watch?v=zcXOhfPHRHA\">וידיאו של הסיור</a>','סיור בשכונת ג\'סי כהן | 16.3.2010','','inherit','open','open','','11-revision-5','','','2010-04-05 02:27:33','2010-04-04 23:27:33','',11,'http://jessy.digitalartlab.org.il/?p=17',0,'revision','',0),(18,1,'2010-04-05 02:30:27','2010-04-04 23:30:27','[youtube=http://www.youtube.com/watch?v=zcXOhfPHRHA\"]\r\n','סיור בשכונת ג\'סי כהן | 16.3.2010','','inherit','open','open','','11-revision-6','','','2010-04-05 02:30:27','2010-04-04 23:30:27','',11,'http://jessy.digitalartlab.org.il/?p=18',0,'revision','',0),(19,1,'2010-04-05 02:30:38','2010-04-04 23:30:38','[youtube=http://www.youtube.com/watch?v=zcXOhfPHRHA]\r\n','סיור בשכונת ג\'סי כהן | 16.3.2010','','inherit','open','open','','11-revision-7','','','2010-04-05 02:30:38','2010-04-04 23:30:38','',11,'http://jessy.digitalartlab.org.il/?p=19',0,'revision','',0),(20,1,'2010-04-05 02:30:40','2010-04-04 23:30:40','[youtube=http://www.youtube.com/watch?v=zcXOhfPHRHA]\r\n','סיור בשכונת ג\'סי כהן | 16.3.2010','','inherit','open','open','','11-revision-8','','','2010-04-05 02:30:40','2010-04-04 23:30:40','',11,'http://jessy.digitalartlab.org.il/?p=20',0,'revision','',0),(21,1,'2010-04-05 02:34:46','2010-04-04 23:34:46','<a>סיור בשכונת ג\\\'סי כהן</a>','סיור בשכונת ג\'סי כהן | 16.3.2010','','inherit','open','open','','11-revision-9','','','2010-04-05 02:34:46','2010-04-04 23:34:46','',11,'http://jessy.digitalartlab.org.il/?p=21',0,'revision','',0),(22,1,'2010-04-05 02:34:50','2010-04-04 23:34:50','<a>סיור בשכונת ג\\\'סי כהן</a>','סיור בשכונת ג\'סי כהן | 16.3.2010','','inherit','open','open','','11-revision-10','','','2010-04-05 02:34:50','2010-04-04 23:34:50','',11,'http://jessy.digitalartlab.org.il/?p=22',0,'revision','',0),(25,1,'2010-04-05 02:38:23','2010-04-04 23:38:23','<object width=\"480\" height=\"385\"><param name=\"movie\" value=\"http://www.youtube.com/v/zcXOhfPHRHA&hl=en_US&fs=1&\"></param><param name=\"allowFullScreen\" value=\"true\"></param><param name=\"allowscriptaccess\" value=\"always\"></param><embed 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16.3.2010','','inherit','open','open','','11-revision-16','','','2010-04-05 02:42:06','2010-04-04 23:42:06','',11,'http://jessy.digitalartlab.org.il/?p=28',0,'revision','',0),(29,1,'2010-04-05 02:42:33','2010-04-04 23:42:33','<object width=\"400\" height=\"385\"><param name=\"movie\" value=\"http://www.youtube.com/v/zcXOhfPHRHA&hl=en_US&fs=1&\"></param><param name=\"allowFullScreen\" value=\"true\"></param><param name=\"allowscriptaccess\" value=\"always\"></param><embed src=\"http://www.youtube.com/v/zcXOhfPHRHA&hl=en_US&fs=1&\" type=\"application/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"400\" height=\"385\"></embed></object>','סיור בשכונת ג\'סי כהן | 16.3.2010','','inherit','open','open','','11-revision-17','','','2010-04-05 02:42:33','2010-04-04 23:42:33','',11,'http://jessy.digitalartlab.org.il/?p=29',0,'revision','',0),(30,1,'2010-04-05 02:43:05','2010-04-04 23:43:05','<object width=\"450\" height=\"385\"><param name=\"movie\" value=\"http://www.youtube.com/v/zcXOhfPHRHA&hl=en_US&fs=1&\"></param><param name=\"allowFullScreen\" value=\"true\"></param><param name=\"allowscriptaccess\" value=\"always\"></param><embed src=\"http://www.youtube.com/v/zcXOhfPHRHA&hl=en_US&fs=1&\" type=\"application/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"450\" height=\"385\"></embed></object>','סיור בשכונת ג\'סי כהן | 16.3.2010','','inherit','open','open','','11-revision-18','','','2010-04-05 02:43:05','2010-04-04 23:43:05','',11,'http://jessy.digitalartlab.org.il/?p=30',0,'revision','',0),(31,1,'2010-03-18 17:49:07','2010-03-18 15:49:07','<!-- 		@page { margin: 0.79in } 		P { margin-bottom: 0.08in } --><span style=\"font-family: Tahoma;\">פריקט ג</span>\'<span style=\"font-family: Tahoma;\">סי כהן</span>\r\n\r\n<span style=\"font-family: Tahoma;\">מועד אחרון להגשה</span>: 20.4.2010\r\n\r\n<span style=\"font-family: Tahoma;\">הצעות לפרויקטים יכולות או צריכות לבוא מתוך תהליך של שהות ומחקר בשכונה ודיאלוג עם גורמים שונים בשכונה</span>, <span style=\"font-family: Tahoma;\">בקהילה ובעיר</span>. <span style=\"font-family: Tahoma;\">המפגש בשכונה מטרתו לתת מידע מרוכז והכרות עם גורמים שונים בשכונה ובעיר על מנת לאפשר גישה אליהם במהלך הכנת ההצעות</span>.\r\n\r\n<span style=\"font-family: Tahoma;\">על הפרויקטים המוצעים להתבצע במהלך השנתיים בהן הפרויקט בג</span>\'<span style=\"font-family: Tahoma;\">סי יתקיים</span>.\r\n\r\n<span style=\"font-family: Tahoma;\">ההצעות צריכות לכלול</span>:\r\n\r\n<span style=\"font-family: Tahoma;\">תאור קצר של הפרויקט המוצע </span>(<span style=\"font-family: Tahoma;\">לא יותר מדף </span>A4)\r\n\r\n<span style=\"font-family: Tahoma;\">תאור של מעורבות עם גורמים שונים בשכונה</span>, <span style=\"font-family: Tahoma;\">קהילה</span>, <span style=\"font-family: Tahoma;\">עיריה</span>,\r\n\r\n<span style=\"font-family: Tahoma;\">תאור דרכי היישום של הפרויקט</span>- <span style=\"font-family: Tahoma;\">עם מי עובדים</span>, <span style=\"font-family: Tahoma;\">צרכים טכניים</span>\r\n\r\n<span style=\"font-family: Tahoma;\">תקציב של הפרויקט</span>\r\n\r\n<span style=\"font-family: Tahoma;\">משך הפרויקט</span>\r\n\r\n<span style=\"font-family: Tahoma;\">עדיפות תינתן לפרויקטים שלוקחים בחשבון את הצרכים המיוחדים של הקהלים והקהילות איתם הם יעבדו</span>, <span style=\"font-family: Tahoma;\">פרויקטים שיצליחו לעודד הבאת קהל מחוץ לשכונה אליה</span>, <span style=\"font-family: Tahoma;\">פרויקטים שיראו בקהילת האמנות קהל יעד ויבקשו לבחון את האפשרויות של האמנות בפעולה בקהילה, פרויקטים המאפשרים תהליך עבודה ממשוך ומשמעותי ופרויקטים שיש להם פוטנציאל המשכיות</span>.\r\n\r\n<span style=\"font-family: Tahoma;\">המרכז לאמנות דיגיטלית ומתנ</span>\"<span style=\"font-family: Tahoma;\">ס לזרוס ביחד עם גורמים עירוניים נוספים יוכלו לספק עזרה בשלבי המחקר והביצוע של הפרויקטים על ידי תיאום עם גורמים בעיר ובשכונה</span>, <span style=\"font-family: Tahoma;\">עזרה בהפקה</span>, <span style=\"font-family: Tahoma;\">בהשגת חללים לעבודה ולתצוגה ובחשיפה של הפרויקטים לקהל הרחב</span>.','קריאה להצעות','','inherit','open','open','','1-revision-2','','','2010-03-18 17:49:07','2010-03-18 15:49:07','',1,'http://jessy.digitalartlab.org.il/?p=31',0,'revision','',0),(32,1,'2010-04-08 16:49:08','2010-04-08 13:49:08','<object width=\"570\" height=\"457\"><param name=\"movie\" value=\"http://www.youtube.com/v/_-jsC3XjgYY&amp;hl=en_US&amp;fs=1?color1=0x006699&amp;color2=0x54abd6&amp;border=1\"></param><param name=\"allowFullScreen\" value=\"true\"></param><param name=\"allowscriptaccess\" value=\"always\"></param><embed src=\"http://www.youtube.com/v/_-jsC3XjgYY&amp;hl=en_US&amp;fs=1?color1=0x006699&amp;color2=0x54abd6&amp;border=1\" type=\"application/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"570\" height=\"457\"></embed></object>\r\nPresentation of the Jessie Cohen Project – Eyal Danon\r\n\r\n\r\nI\'m going to try to explain this project a bit, though it\'s almost impossible at this stage. We have been involved in the project for a few months now, since the project\'s initiation and the city\'s confirmed support. Essentially, we will be working in the neighbourhood of Jessie Cohen for two years.\r\n\r\nOn many occasions people have asked “what\'s planned?”, “what are you going to do?” And the answers we have been giving are very, very general. We, Ran [Kasmy Ilan] and I, started a process in the last two months of, first of all, coming to the community centre and meeting with Yossi and his staff, and then meeting with others involved in the community. We met with the Social Services Department of the municipality. We met a forum of volunteers, “Forum Jessie Cohen,” which is made up of veteran Ethiopian immigrants living and active in the Ethiopian community in the neighbourhood. And we met with Zina, active at the community centre and an immigrant to Israel from the 1990s. And we met with school directors of course – all in essence in order to receive a broad picture and understand the workings of the neighbourhood.\r\n\r\nIt\'s quite clear to us that there\'s an accumulation of expectations and questions about how this project will manifest itself – from within the neighbourhood, the municipality, and the artists involved. \r\n\r\n1:45\r\nAccording to us, every one of these groups is part of our target audience. I want us to try to avoid saying – which is to say – that we\'re all aware of the traps that we can fall into. We are not coming to this project as artists who know everything, coming to give solutions and save the neighbourhood from its problems. In my opinion, a process like this – a project like this – which spans over two years of development and activity in the neighbourhood, transforms the artists involved into a sort of target audience.\r\n\r\nThe questions the project raises are: What can we do on the neighbourhood/city level in order to catalyze change? Or what can we do to take part in a change already under way by community members? This is an opportunity to test the possibilities – to ask questions and see what is possible. \r\n\r\nIt is interesting to think about it from the perspective of the city; when a city is dealing with a place that has problems – we\'re all dancing around this issue but it is clear that Jessie Cohen has problems – the city has its specific tools in which to cope. The city has a Social Services Department, a Department of Education, the Community Centre, etc. \r\n\r\nWe, as well, come with our specific set of tools as an art centre to this project. This leads to another question of expectations – What are we being expected to provide? \r\n\r\nIt is important for me to raise these questions so we are conscious of them and consider the expectations of all those involved and also, that we consider that the process is intended to clarify, at least partly, these concerns. \r\n\r\n3:45\r\nWhat I wold like to do now is map out what we would like to see happen at this stage. It\'s more of a framework within which the project will be activated. \r\n\r\nFirst of all, the project will be made up of artists spending time in the neighbourhood for the duration of two years, for different spans of time within that. Some projects will be shorter, some longer, but all will take place within the framework of the next two years. \r\n\r\nArtists can get involved by:\r\na) Open call (like today) – there will be a number over the course of the project\r\nb) Focused invitations – specifically for artists from abroad\r\n\r\n5:20\r\nTheir first move will be the production of works in the neighbourhood. We will try to encourage what we characterize as a accessible working process – which means when we are in the neighbourhood and working for a duration of time, we can organize meetings to discuss research and production with active members of the neighbourhood and audiences (not only from the neighbourhood but including other publics), workshops, artists\' meetings. \r\n\r\nIn other words, transforming the working process to one that is open and fitting the nature of the project so that the process itself becomes part of the project and its goals.\r\n\r\n6:15\r\nAnd of course, display or exhibition – should a project require it – is the next stage. Within the neighbourhood, we will have a designated space, a storefront, to serve many needs – perhaps this as one of them. Following our tour today, you are now familiar with public spaces throughout the neighbourhood. Consider also private spaces, homes and apartments, depending on the nature of your proposal. \r\n\r\n6:45\r\nThere is a question of an event. The project is not built to lead to a singular event of climax, or a spectacle on which everything culminates and then is over. We are consistently speaking about process, continuity and development. It is clear that within the two year overall duration, there will be a number of peaks and events that will take place in accordance with the projects but there is no pre-ordained event that must be planned for in your proposals. It isn\'t our intention to erect a biennial or something of the like. \r\n\r\nLet\'s talk about work spaces. We will try to give work spaces within the neighbourhood for development in accordance with the needs of the proposals chosen. Obvious options, I imagine, will be public shelters, working in and collaborating with schools, in the community centre, but depending on the proposals, other options could be sought. We will try to address the individual needs of each project. \r\n\r\nAnd to reenforce what I said earlier about an open and flexible work process, this can be realized in these spaces as well.\r\n\r\n8:15\r\nIn addition, I hope our designated work space will be in front of the community centre along the strip of 3-4 shops, or so. There is a storefront that used to be a butcher shop. Its back half is a huge freezer. Its front half is a storefront. And if everything goes according to plan, we\'ll be using this space as our headquarters – as an office space, exhibition space, and meeting space (for both artists and community members). It will be ours for the entire duration of the project. The plan is that at the start of the project, it will house activities once a week, including gatherings with artists and screenings, and as the project develops, the space will fulfill more needs. \r\n\r\nAnd lastly, an important part of the process for us is documentation and we have been documenting every element of our research for months now. We see it as part of the experience of surveying knowledge in this kind of activity and making it accessible to everyone involved in the project and otherwise. We are building an archive, of sorts, of information that can be put online or accessed in other ways. \r\n\r\nSo I know that was general and brief and quite abstract at this stage, but this is what we would like to initiate here. \r\n\r\n','הצגת פרויקט ג\'סי כהן |16.3.2010','אייל דנון מהמרכז הישראלי לאמנות דיגיטלית מציג את פרויקט ג\'סי בסיור אמנים שנערך בשכונה.\r\n\r\nהפרויקט מבקש לבחון כיצד האמנות יכולה לקחת חלק בתהליכים של שינוי בקנה מידה של שכונה ועיר על ידי עבודה משותפת עם גופים וכלים אחרים (עירוניים, ממשלתיים, פרטיים) ומבלי לבוא במקומם. \r\n\r\nמשך הפרויקט: שנתיים (2010-2011) במהלכן צריכים להתקיים הפרויקטים השונים בשכונה ולהסתיים. עם זאת אנו נעודד פרויקטים שלוקחים בחשבון פיתוח דרכים להמשכיות שאינן תלויות במימון של המרכז ופרויקטים שמשאירים תוצר לשכונה גם אחרי שמסתיימים. הכוונה היא לאפשר עבודה ארוכת טווח ומעורבות של אמנים בתוך השכונה לצד עבודה משותפת עם גורמים פעילים אחרים בשכונה כמו המתנ\"ס, בתיה\"ס, מחלקות שונות בעיריה וכו\'.\r\n\r\nבמהלך החודשים האחרונים ערכנו סדרה של מפגשים עם אנשי מפתח בשכונה עצמה או בארגונים הקשורים לשכונה על מנת לקבל מידע בסיסי ולזהות שותפים פוטנציאלים לפרויקט. בעקבות פגישות אלו מסתמנים כמה קווים מנחים לגבי דרך העבודה המתוכננת וזוהו צרכים וכיווני פעולה אפשריים','publish','open','open','','%d7%94%d7%a6%d7%92%d7%aa-%d7%a4%d7%a8%d7%95%d7%99%d7%a7%d7%98-%d7%92%d7%a1%d7%99-%d7%9b%d7%94%d7%9f-16-3-2010','','','2010-08-06 07:00:51','2010-08-06 04:00:51','',0,'http://jessy.digitalartlab.org.il/?p=32',0,'post','',0),(33,1,'2010-04-08 16:48:46','2010-04-08 13:48:46','','הצגת פרויקט ג\'סי כהן |16.3.','','inherit','open','open','','32-revision','','','2010-04-08 16:48:46','2010-04-08 13:48:46','',32,'http://jessy.digitalartlab.org.il/?p=33',0,'revision','',0),(34,1,'2010-04-08 16:48:56','2010-04-08 13:48:56','<object width=\"480\" height=\"385\"><param name=\"movie\" value=\"http://www.youtube.com/v/_-jsC3XjgYY&hl=en_US&fs=1&\"></param><param name=\"allowFullScreen\" value=\"true\"></param><param name=\"allowscriptaccess\" value=\"always\"></param><embed src=\"http://www.youtube.com/v/_-jsC3XjgYY&hl=en_US&fs=1&\" type=\"application/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"480\" height=\"385\"></embed></object>','הצגת פרויקט ג\'סי כהן |16.3.2010','','inherit','open','open','','32-revision-2','','','2010-04-08 16:48:56','2010-04-08 13:48:56','',32,'http://jessy.digitalartlab.org.il/?p=34',0,'revision','',0),(35,1,'2010-04-08 16:49:00','2010-04-08 13:49:00','<object width=\"480\" height=\"385\"><param name=\"movie\" value=\"http://www.youtube.com/v/_-jsC3XjgYY&hl=en_US&fs=1&\"></param><param name=\"allowFullScreen\" value=\"true\"></param><param name=\"allowscriptaccess\" value=\"always\"></param><embed src=\"http://www.youtube.com/v/_-jsC3XjgYY&hl=en_US&fs=1&\" type=\"application/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"480\" height=\"385\"></embed></object>','הצגת פרויקט ג\'סי כהן |16.3.2010','','inherit','open','open','','32-revision-3','','','2010-04-08 16:49:00','2010-04-08 13:49:00','',32,'http://jessy.digitalartlab.org.il/?p=35',0,'revision','',0),(36,1,'2010-04-08 16:49:08','2010-04-08 13:49:08','<object width=\"480\" height=\"385\"><param name=\"movie\" value=\"http://www.youtube.com/v/_-jsC3XjgYY&hl=en_US&fs=1&\"></param><param name=\"allowFullScreen\" value=\"true\"></param><param name=\"allowscriptaccess\" value=\"always\"></param><embed src=\"http://www.youtube.com/v/_-jsC3XjgYY&hl=en_US&fs=1&\" type=\"application/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"480\" height=\"385\"></embed></object>','הצגת פרויקט ג\'סי כהן |16.3.2010','','inherit','open','open','','32-revision-4','','','2010-04-08 16:49:08','2010-04-08 13:49:08','',32,'http://jessy.digitalartlab.org.il/?p=36',0,'revision','',0),(42,1,'2010-04-05 02:43:30','2010-04-04 23:43:30','<object width=\"420\" height=\"325\"><param name=\"movie\" value=\"http://www.youtube.com/v/zcXOhfPHRHA&hl=en_US&fs=1&\"></param><param name=\"allowFullScreen\" value=\"true\"></param><param name=\"allowscriptaccess\" value=\"always\"></param><embed src=\"http://www.youtube.com/v/zcXOhfPHRHA&hl=en_US&fs=1&\" type=\"application/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"420\" height=\"325\"></embed></object>','סיור בשכונת ג\'סי כהן | 16.3.2010','','inherit','open','open','','11-revision-19','','','2010-04-05 02:43:30','2010-04-04 23:43:30','',11,'http://jessy.digitalartlab.org.il/?p=42',0,'revision','',0),(43,1,'2010-04-08 16:49:51','2010-04-08 13:49:51','<object width=\"420\" height=\"325\"><param name=\"movie\" value=\"http://www.youtube.com/v/_-jsC3XjgYY&hl=en_US&fs=1&\"></param><param name=\"allowFullScreen\" value=\"true\"></param><param name=\"allowscriptaccess\" value=\"always\"></param><embed src=\"http://www.youtube.com/v/_-jsC3XjgYY&hl=en_US&fs=1&\" type=\"application/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"420\" height=\"325\"></embed></object>','הצגת פרויקט ג\'סי כהן |16.3.2010','','inherit','open','open','','32-revision-5','','','2010-04-08 16:49:51','2010-04-08 13:49:51','',32,'http://jessy.digitalartlab.org.il/?p=43',0,'revision','',0),(44,1,'2010-06-29 19:39:30','2010-06-29 16:39:30','קבוצת הכתיבה של מועדון הנשים במתנ\"ס לזרוס יחד עם האוצרת עידית פורת\r\n\r\nתשע נשים מתכנסות, החל מחודש אפריל, מדי שבוע בכיתת הסטודיו של מתנ\"ס לזרוס. בתחילה הניחו שזומנו במטרה לצבוע, לייפות ולחדש את חזות השכונה, כחלק מפעולות הפרויקט הקהילתי שהחל להתקיים בשכונה.\r\nהן מופתעות בכל מפגש מחדש שהפעם מדובר בהן ובאמצעי הכתיבה המציעים אפשרות לכתוב ולספר את קורותיהן וכדרך אחרת של הקשבה. הן כותבות על העבר, הן כותבות על ההווה. הן נזכרות, כותבות ומספרות על חלום שחלמו, מחשבות, דאגות, רגעים של צער, רגעים של הנאה ושמחה, תחושות של שינוי.\r\nהן מכירות זו את זו שנים ארוכות. שכנות צמודה, ארוחות או בילויים משותפים, חלקן חברות טובות ויש ביניהן גם כאלה בקרבת משפחה. היומיום שלהן וסיפורי חייהן שזורים האחד בשני ללא הפרד כמעט, אבל הכתיבה מאפשרת לכל אחת מהן למצוא בהדרגה את השונה והמיוחד בה.','פרויקט סיפורי חיים  ','','publish','open','open','','%d7%a4%d7%a8%d7%95%d7%99%d7%a7%d7%98-%d7%a1%d7%99%d7%a4%d7%95%d7%a8%d7%99-%d7%97%d7%99%d7%99%d7%9d-%d7%a2%d7%99%d7%93%d7%99%d7%aa-%d7%a4%d7%95%d7%a8%d7%aa','','','2010-08-09 15:23:59','2010-08-09 12:23:59','',0,'http://jessy.digitalartlab.org.il/?page_id=44',1,'page','',0),(45,1,'2010-06-29 19:38:49','2010-06-29 16:38:49','\nקבוצת הכתיבה של מועדון נשים במתנ\"ס לזרוס\n\nתשע נשים מתכנסות, החל מחודש אפריל,נים מדי שבוע בכיתת הסטודיו של מתנ\"ס לזרוס. בתחילה הניחו שזומנו במטרה לצבוע, לייפות ולחדש את חזות השכונה, כחלק מפעולות הפרויקט הקהילתי שהחל להתקיים בשכונה. \nהן מופתעות בכל מפגש מחדש שהפעם מדובר בהן ובאמצעי הכתיבה המציע אפשרות לכתוב ולספר את קורותיהן וכדרך אחרת של הקשבה. הן כותבות על העבר, הן כותבות על ההווה. הן נזכרות, כותבות ומספרות על חלום שחלמו, מחשבות, דאגות, רגעים של צער, רגעים של הנאה ושמחה, תחושות של שינוי.\nהן מכירות זו את זו שנים ארוכות. שכנות צמודה, ארוחות או בילויים משותפים, חלקן חברות טובות ויש ביניהן גם כאלה בקרבת משפחה. היומיום שלהן וסיפורי חייהן שזורים האחד בשני ללא הפרד כמעט, אבל הכתיבה מאפשרת לכל אחת מהן למצוא בהדרגה את השונה והמיוחד בה.\n','פרויקט סיפורי חיים  / עידית פורת ','','inherit','open','open','','44-revision','','','2010-06-29 19:38:49','2010-06-29 16:38:49','',44,'http://jessy.digitalartlab.org.il/?p=45',0,'revision','',0),(46,1,'2010-06-29 19:39:30','2010-06-29 16:39:30','\r\nקבוצת הכתיבה של מועדון נשים במתנ\"ס לזרוס\r\n\r\nתשע נשים מתכנסות, החל מחודש אפריל, מדי שבוע בכיתת הסטודיו של מתנ\"ס לזרוס. בתחילה הניחו שזומנו במטרה לצבוע, לייפות ולחדש את חזות השכונה, כחלק מפעולות הפרויקט הקהילתי שהחל להתקיים בשכונה. \r\nהן מופתעות בכל מפגש מחדש שהפעם מדובר בהן ובאמצעי הכתיבה המציעים אפשרות לכתוב ולספר את קורותיהן וכדרך אחרת של הקשבה. הן כותבות על העבר, הן כותבות על ההווה. הן נזכרות, כותבות ומספרות על חלום שחלמו, מחשבות, דאגות, רגעים של צער, רגעים של הנאה ושמחה, תחושות של שינוי.\r\nהן מכירות זו את זו שנים ארוכות. שכנות צמודה, ארוחות או בילויים משותפים, חלקן חברות טובות ויש ביניהן גם כאלה בקרבת משפחה. היומיום שלהן וסיפורי חייהן שזורים האחד בשני ללא הפרד כמעט, אבל הכתיבה מאפשרת לכל אחת מהן למצוא בהדרגה את השונה והמיוחד בה.\r\n','פרויקט סיפורי חיים  / עידית פורת ','','inherit','open','open','','44-revision-2','','','2010-06-29 19:39:30','2010-06-29 16:39:30','',44,'http://jessy.digitalartlab.org.il/?p=46',0,'revision','',0),(48,1,'2010-06-29 19:42:22','2010-06-29 16:42:22','קבוצת הכתיבה של מועדון נשים במתנ\"ס לזרוס\r\n\r\nתשע נשים מתכנסות, החל מחודש אפריל, מדי שבוע בכיתת הסטודיו של מתנ\"ס לזרוס. בתחילה הניחו שזומנו במטרה לצבוע, לייפות ולחדש את חזות השכונה, כחלק מפעולות הפרויקט הקהילתי שהחל להתקיים בשכונה. \r\nהן מופתעות בכל מפגש מחדש שהפעם מדובר בהן ובאמצעי הכתיבה המציעים אפשרות לכתוב ולספר את קורותיהן וכדרך אחרת של הקשבה. הן כותבות על העבר, הן כותבות על ההווה. הן נזכרות, כותבות ומספרות על חלום שחלמו, מחשבות, דאגות, רגעים של צער, רגעים של הנאה ושמחה, תחושות של שינוי.\r\nהן מכירות זו את זו שנים ארוכות. שכנות צמודה, ארוחות או בילויים משותפים, חלקן חברות טובות ויש ביניהן גם כאלה בקרבת משפחה. היומיום שלהן וסיפורי חייהן שזורים האחד בשני ללא הפרד כמעט, אבל הכתיבה מאפשרת לכל אחת מהן למצוא בהדרגה את השונה והמיוחד בה.\r\n','פרויקט סיפורי חיים  / עידית פורת ','','inherit','open','open','','44-revision-4','','','2010-06-29 19:42:22','2010-06-29 16:42:22','',44,'http://jessy.digitalartlab.org.il/?p=48',0,'revision','',0),(47,1,'2010-06-29 19:42:06','2010-06-29 16:42:06','קבוצת הכתיבה של מועדון נשים במתנ\"ס לזרוס\r\n\r\nתשע נשים מתכנסות, החל מחודש אפריל, מדי שבוע בכיתת הסטודיו של מתנ\"ס לזרוס. בתחילה הניחו שזומנו במטרה לצבוע, לייפות ולחדש את חזות השכונה, כחלק מפעולות הפרויקט הקהילתי שהחל להתקיים בשכונה. \r\nהן מופתעות בכל מפגש מחדש שהפעם מדובר בהן ובאמצעי הכתיבה המציעים אפשרות לכתוב ולספר את קורותיהן וכדרך אחרת של הקשבה. הן כותבות על העבר, הן כותבות על ההווה. הן נזכרות, כותבות ומספרות על חלום שחלמו, מחשבות, דאגות, רגעים של צער, רגעים של הנאה ושמחה, תחושות של שינוי.\r\nהן מכירות זו את זו שנים ארוכות. שכנות צמודה, ארוחות או בילויים משותפים, חלקן חברות טובות ויש ביניהן גם כאלה בקרבת משפחה. היומיום שלהן וסיפורי חייהן שזורים האחד בשני ללא הפרד כמעט, אבל הכתיבה מאפשרת לכל אחת מהן למצוא בהדרגה את השונה והמיוחד בה.\r\n','פרויקט סיפורי חיים  / עידית פורת ','','inherit','open','open','','44-revision-3','','','2010-06-29 19:42:06','2010-06-29 16:42:06','',44,'http://jessy.digitalartlab.org.il/?p=47',0,'revision','',0),(49,1,'2010-06-29 19:42:32','2010-06-29 16:42:32','קבוצת הכתיבה של מועדון נשים במתנ\"ס לזרוס\r\n\r\nתשע נשים מתכנסות, החל מחודש אפריל, מדי שבוע בכיתת הסטודיו של מתנ\"ס לזרוס. בתחילה הניחו שזומנו במטרה לצבוע, לייפות ולחדש את חזות השכונה, כחלק מפעולות הפרויקט הקהילתי שהחל להתקיים בשכונה. \r\nהן מופתעות בכל מפגש מחדש שהפעם מדובר בהן ובאמצעי הכתיבה המציעים אפשרות לכתוב ולספר את קורותיהן וכדרך אחרת של הקשבה. הן כותבות על העבר, הן כותבות על ההווה. הן נזכרות, כותבות ומספרות על חלום שחלמו, מחשבות, דאגות, רגעים של צער, רגעים של הנאה ושמחה, תחושות של שינוי.\r\nהן מכירות זו את זו שנים ארוכות. שכנות צמודה, ארוחות או בילויים משותפים, חלקן חברות טובות ויש ביניהן גם כאלה בקרבת משפחה. היומיום שלהן וסיפורי חייהן שזורים האחד בשני ללא הפרד כמעט, אבל הכתיבה מאפשרת לכל אחת מהן למצוא בהדרגה את השונה והמיוחד בה.\r\n','פרויקט סיפורי חיים  / עידית פורת ','','inherit','open','open','','44-revision-5','','','2010-06-29 19:42:32','2010-06-29 16:42:32','',44,'http://jessy.digitalartlab.org.il/?p=49',0,'revision','',0),(50,1,'2010-06-29 19:43:18','2010-06-29 16:43:18','קבוצת הכתיבה של מועדון נשים במתנ\"ס לזרוס\r\n\r\nתשע נשים מתכנסות, החל מחודש אפריל, מדי שבוע בכיתת הסטודיו של מתנ\"ס לזרוס. בתחילה הניחו שזומנו במטרה לצבוע, לייפות ולחדש את חזות השכונה, כחלק מפעולות הפרויקט הקהילתי שהחל להתקיים בשכונה. \r\nהן מופתעות בכל מפגש מחדש שהפעם מדובר בהן ובאמצעי הכתיבה המציעים אפשרות לכתוב ולספר את קורותיהן וכדרך אחרת של הקשבה. הן כותבות על העבר, הן כותבות על ההווה. הן נזכרות, כותבות ומספרות על חלום שחלמו, מחשבות, דאגות, רגעים של צער, רגעים של הנאה ושמחה, תחושות של שינוי.\r\nהן מכירות זו את זו שנים ארוכות. שכנות צמודה, ארוחות או בילויים משותפים, חלקן חברות טובות ויש ביניהן גם כאלה בקרבת משפחה. היומיום שלהן וסיפורי חייהן שזורים האחד בשני ללא הפרד כמעט, אבל הכתיבה מאפשרת לכל אחת מהן למצוא בהדרגה את השונה והמיוחד בה.\r\n','פרויקט סיפורי חיים  / עידית פורת ','','inherit','open','open','','44-revision-6','','','2010-06-29 19:43:18','2010-06-29 16:43:18','',44,'http://jessy.digitalartlab.org.il/?p=50',0,'revision','',0),(51,1,'2010-06-29 19:49:37','2010-06-29 16:49:37','קבוצת הכתיבה של מועדון נשים במתנ\"ס לזרוס\r\n\r\nתשע נשים מתכנסות, החל מחודש אפריל, מדי שבוע בכיתת הסטודיו של מתנ\"ס לזרוס. בתחילה הניחו שזומנו במטרה לצבוע, לייפות ולחדש את חזות השכונה, כחלק מפעולות הפרויקט הקהילתי שהחל להתקיים בשכונה. \r\nהן מופתעות בכל מפגש מחדש שהפעם מדובר בהן ובאמצעי הכתיבה המציעים אפשרות לכתוב ולספר את קורותיהן וכדרך אחרת של הקשבה. הן כותבות על העבר, הן כותבות על ההווה. הן נזכרות, כותבות ומספרות על חלום שחלמו, מחשבות, דאגות, רגעים של צער, רגעים של הנאה ושמחה, תחושות של שינוי.\r\nהן מכירות זו את זו שנים ארוכות. שכנות צמודה, ארוחות או בילויים משותפים, חלקן חברות טובות ויש ביניהן גם כאלה בקרבת משפחה. היומיום שלהן וסיפורי חייהן שזורים האחד בשני ללא הפרד כמעט, אבל הכתיבה מאפשרת לכל אחת מהן למצוא בהדרגה את השונה והמיוחד בה.\r\n','פרויקט סיפורי חיים  / עידית פורת ','','inherit','open','open','','44-revision-7','','','2010-06-29 19:49:37','2010-06-29 16:49:37','',44,'http://jessy.digitalartlab.org.il/?p=51',0,'revision','',0),(52,1,'2010-06-30 13:09:55','2010-06-30 10:09:55','','אייל דנון מציג את הפרויקט','','inherit','open','open','','picture-2','','','2010-06-30 13:09:55','2010-06-30 10:09:55','',32,'http://jessy.digitalartlab.org.il/wp-content/uploads/2010/04/Picture-2.png',0,'attachment','image/png',0),(53,1,'2010-06-29 19:35:03','2010-06-29 16:35:03','<object width=\"420\" height=\"325\"><param name=\"movie\" value=\"http://www.youtube.com/v/_-jsC3XjgYY&hl=en_US&fs=1&\"></param><param name=\"allowFullScreen\" value=\"true\"></param><param name=\"allowscriptaccess\" value=\"always\"></param><embed src=\"http://www.youtube.com/v/_-jsC3XjgYY&hl=en_US&fs=1&\" type=\"application/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"420\" height=\"325\"></embed></object>\r\n\r\nPresentation of the Jessie Cohen Project – Eyal Danon\r\n\r\n\r\nI\'m going to try to explain this project a bit, though it\'s almost impossible at this stage. We have been involved in the project for a few months now, since the project\'s initiation and the city\'s confirmed support. Essentially, we will be working in the neighbourhood of Jessie Cohen for two years.\r\n\r\nOn many occasions people have asked “what\'s planned?”, “what are you going to do?” And the answers we have been giving are very, very general. We, Ran [Kasmy Ilan] and I, started a process in the last two months of, first of all, coming to the community centre and meeting with Yossi and his staff, and then meeting with others involved in the community. We met with the Social Services Department of the municipality. We met a forum of volunteers, “Forum Jessie Cohen,” which is made up of veteran Ethiopian immigrants living and active in the Ethiopian community in the neighbourhood. And we met with Zina, active at the community centre and an immigrant to Israel from the 1990s. And we met with school directors of course – all in essence in order to receive a broad picture and understand the workings of the neighbourhood.\r\n\r\nIt\'s quite clear to us that there\'s an accumulation of expectations and questions about how this project will manifest itself – from within the neighbourhood, the municipality, and the artists involved. \r\n\r\n1:45\r\nAccording to us, every one of these groups is part of our target audience. I want us to try to avoid saying – which is to say – that we\'re all aware of the traps that we can fall into. We are not coming to this project as artists who know everything, coming to give solutions and save the neighbourhood from its problems. In my opinion, a process like this – a project like this – which spans over two years of development and activity in the neighbourhood, transforms the artists involved into a sort of target audience.\r\n\r\nThe questions the project raises are: What can we do on the neighbourhood/city level in order to catalyze change? Or what can we do to take part in a change already under way by community members? This is an opportunity to test the possibilities – to ask questions and see what is possible. \r\n\r\nIt is interesting to think about it from the perspective of the city; when a city is dealing with a place that has problems – we\'re all dancing around this issue but it is clear that Jessie Cohen has problems – the city has its specific tools in which to cope. The city has a Social Services Department, a Department of Education, the Community Centre, etc. \r\n\r\nWe, as well, come with our specific set of tools as an art centre to this project. This leads to another question of expectations – What are we being expected to provide? \r\n\r\nIt is important for me to raise these questions so we are conscious of them and consider the expectations of all those involved and also, that we consider that the process is intended to clarify, at least partly, these concerns. \r\n\r\n3:45\r\nWhat I wold like to do now is map out what we would like to see happen at this stage. It\'s more of a framework within which the project will be activated. \r\n\r\nFirst of all, the project will be made up of artists spending time in the neighbourhood for the duration of two years, for different spans of time within that. Some projects will be shorter, some longer, but all will take place within the framework of the next two years. \r\n\r\nArtists can get involved by:\r\na) Open call (like today) – there will be a number over the course of the project\r\nb) Focused invitations – specifically for artists from abroad\r\n\r\n5:20\r\nTheir first move will be the production of works in the neighbourhood. We will try to encourage what we characterize as a accessible working process – which means when we are in the neighbourhood and working for a duration of time, we can organize meetings to discuss research and production with active members of the neighbourhood and audiences (not only from the neighbourhood but including other publics), workshops, artists\' meetings. \r\n\r\nIn other words, transforming the working process to one that is open and fitting the nature of the project so that the process itself becomes part of the project and its goals.\r\n\r\n6:15\r\nAnd of course, display or exhibition – should a project require it – is the next stage. Within the neighbourhood, we will have a designated space, a storefront, to serve many needs – perhaps this as one of them. Following our tour today, you are now familiar with public spaces throughout the neighbourhood. Consider also private spaces, homes and apartments, depending on the nature of your proposal. \r\n\r\n6:45\r\nThere is a question of an event. The project is not built to lead to a singular event of climax, or a spectacle on which everything culminates and then is over. We are consistently speaking about process, continuity and development. It is clear that within the two year overall duration, there will be a number of peaks and events that will take place in accordance with the projects but there is no pre-ordained event that must be planned for in your proposals. It isn\'t our intention to erect a biennial or something of the like. \r\n\r\nLet\'s talk about work spaces. We will try to give work spaces within the neighbourhood for development in accordance with the needs of the proposals chosen. Obvious options, I imagine, will be public shelters, working in and collaborating with schools, in the community centre, but depending on the proposals, other options could be sought. We will try to address the individual needs of each project. \r\n\r\nAnd to reenforce what I said earlier about an open and flexible work process, this can be realized in these spaces as well.\r\n\r\n8:15\r\nIn addition, I hope our designated work space will be in front of the community centre along the strip of 3-4 shops, or so. There is a storefront that used to be a butcher shop. Its back half is a huge freezer. Its front half is a storefront. And if everything goes according to plan, we\'ll be using this space as our headquarters – as an office space, exhibition space, and meeting space (for both artists and community members). It will be ours for the entire duration of the project. The plan is that at the start of the project, it will house activities once a week, including gatherings with artists and screenings, and as the project develops, the space will fulfill more needs. \r\n\r\nAnd lastly, an important part of the process for us is documentation and we have been documenting every element of our research for months now. We see it as part of the experience of surveying knowledge in this kind of activity and making it accessible to everyone involved in the project and otherwise. We are building an archive, of sorts, of information that can be put online or accessed in other ways. \r\n\r\nSo I know that was general and brief and quite abstract at this stage, but this is what we would like to initiate here. \r\n\r\n','הצגת פרויקט ג\'סי כהן |16.3.2010','','inherit','open','open','','32-revision-6','','','2010-06-29 19:35:03','2010-06-29 16:35:03','',32,'http://jessy.digitalartlab.org.il/?p=53',0,'revision','',0),(54,1,'2010-06-30 13:10:54','2010-06-30 10:10:54','<object width=\"420\" height=\"325\"><param name=\"movie\" value=\"http://www.youtube.com/v/_-jsC3XjgYY&hl=en_US&fs=1&\"></param><param name=\"allowFullScreen\" value=\"true\"></param><param name=\"allowscriptaccess\" value=\"always\"></param><embed src=\"http://www.youtube.com/v/_-jsC3XjgYY&hl=en_US&fs=1&\" type=\"application/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"420\" height=\"325\"></embed></object>\r\n\r\nPresentation of the Jessie Cohen Project – Eyal Danon\r\n\r\n\r\nI\'m going to try to explain this project a bit, though it\'s almost impossible at this stage. We have been involved in the project for a few months now, since the project\'s initiation and the city\'s confirmed support. Essentially, we will be working in the neighbourhood of Jessie Cohen for two years.\r\n\r\nOn many occasions people have asked “what\'s planned?”, “what are you going to do?” And the answers we have been giving are very, very general. We, Ran [Kasmy Ilan] and I, started a process in the last two months of, first of all, coming to the community centre and meeting with Yossi and his staff, and then meeting with others involved in the community. We met with the Social Services Department of the municipality. We met a forum of volunteers, “Forum Jessie Cohen,” which is made up of veteran Ethiopian immigrants living and active in the Ethiopian community in the neighbourhood. And we met with Zina, active at the community centre and an immigrant to Israel from the 1990s. And we met with school directors of course – all in essence in order to receive a broad picture and understand the workings of the neighbourhood.\r\n\r\nIt\'s quite clear to us that there\'s an accumulation of expectations and questions about how this project will manifest itself – from within the neighbourhood, the municipality, and the artists involved. \r\n\r\n1:45\r\nAccording to us, every one of these groups is part of our target audience. I want us to try to avoid saying – which is to say – that we\'re all aware of the traps that we can fall into. We are not coming to this project as artists who know everything, coming to give solutions and save the neighbourhood from its problems. In my opinion, a process like this – a project like this – which spans over two years of development and activity in the neighbourhood, transforms the artists involved into a sort of target audience.\r\n\r\nThe questions the project raises are: What can we do on the neighbourhood/city level in order to catalyze change? Or what can we do to take part in a change already under way by community members? This is an opportunity to test the possibilities – to ask questions and see what is possible. \r\n\r\nIt is interesting to think about it from the perspective of the city; when a city is dealing with a place that has problems – we\'re all dancing around this issue but it is clear that Jessie Cohen has problems – the city has its specific tools in which to cope. The city has a Social Services Department, a Department of Education, the Community Centre, etc. \r\n\r\nWe, as well, come with our specific set of tools as an art centre to this project. This leads to another question of expectations – What are we being expected to provide? \r\n\r\nIt is important for me to raise these questions so we are conscious of them and consider the expectations of all those involved and also, that we consider that the process is intended to clarify, at least partly, these concerns. \r\n\r\n3:45\r\nWhat I wold like to do now is map out what we would like to see happen at this stage. It\'s more of a framework within which the project will be activated. \r\n\r\nFirst of all, the project will be made up of artists spending time in the neighbourhood for the duration of two years, for different spans of time within that. Some projects will be shorter, some longer, but all will take place within the framework of the next two years. \r\n\r\nArtists can get involved by:\r\na) Open call (like today) – there will be a number over the course of the project\r\nb) Focused invitations – specifically for artists from abroad\r\n\r\n5:20\r\nTheir first move will be the production of works in the neighbourhood. We will try to encourage what we characterize as a accessible working process – which means when we are in the neighbourhood and working for a duration of time, we can organize meetings to discuss research and production with active members of the neighbourhood and audiences (not only from the neighbourhood but including other publics), workshops, artists\' meetings. \r\n\r\nIn other words, transforming the working process to one that is open and fitting the nature of the project so that the process itself becomes part of the project and its goals.\r\n\r\n6:15\r\nAnd of course, display or exhibition – should a project require it – is the next stage. Within the neighbourhood, we will have a designated space, a storefront, to serve many needs – perhaps this as one of them. Following our tour today, you are now familiar with public spaces throughout the neighbourhood. Consider also private spaces, homes and apartments, depending on the nature of your proposal. \r\n\r\n6:45\r\nThere is a question of an event. The project is not built to lead to a singular event of climax, or a spectacle on which everything culminates and then is over. We are consistently speaking about process, continuity and development. It is clear that within the two year overall duration, there will be a number of peaks and events that will take place in accordance with the projects but there is no pre-ordained event that must be planned for in your proposals. It isn\'t our intention to erect a biennial or something of the like. \r\n\r\nLet\'s talk about work spaces. We will try to give work spaces within the neighbourhood for development in accordance with the needs of the proposals chosen. Obvious options, I imagine, will be public shelters, working in and collaborating with schools, in the community centre, but depending on the proposals, other options could be sought. We will try to address the individual needs of each project. \r\n\r\nAnd to reenforce what I said earlier about an open and flexible work process, this can be realized in these spaces as well.\r\n\r\n8:15\r\nIn addition, I hope our designated work space will be in front of the community centre along the strip of 3-4 shops, or so. There is a storefront that used to be a butcher shop. Its back half is a huge freezer. Its front half is a storefront. And if everything goes according to plan, we\'ll be using this space as our headquarters – as an office space, exhibition space, and meeting space (for both artists and community members). It will be ours for the entire duration of the project. The plan is that at the start of the project, it will house activities once a week, including gatherings with artists and screenings, and as the project develops, the space will fulfill more needs. \r\n\r\nAnd lastly, an important part of the process for us is documentation and we have been documenting every element of our research for months now. We see it as part of the experience of surveying knowledge in this kind of activity and making it accessible to everyone involved in the project and otherwise. We are building an archive, of sorts, of information that can be put online or accessed in other ways. \r\n\r\nSo I know that was general and brief and quite abstract at this stage, but this is what we would like to initiate here. \r\n\r\n','הצגת פרויקט ג\'סי כהן |16.3.2010','','inherit','open','open','','32-revision-7','','','2010-06-30 13:10:54','2010-06-30 10:10:54','',32,'http://jessy.digitalartlab.org.il/?p=54',0,'revision','',0),(55,1,'2010-06-30 13:13:15','2010-06-30 10:13:15','<object width=\"420\" height=\"325\"><param name=\"movie\" value=\"http://www.youtube.com/v/_-jsC3XjgYY&hl=en_US&fs=1&\"></param><param name=\"allowFullScreen\" value=\"true\"></param><param name=\"allowscriptaccess\" value=\"always\"></param><embed src=\"http://www.youtube.com/v/_-jsC3XjgYY&hl=en_US&fs=1&\" type=\"application/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"420\" height=\"325\"></embed></object>\r\n\r\nPresentation of the Jessie Cohen Project – Eyal Danon\r\n\r\n\r\nI\'m going to try to explain this project a bit, though it\'s almost impossible at this stage. We have been involved in the project for a few months now, since the project\'s initiation and the city\'s confirmed support. Essentially, we will be working in the neighbourhood of Jessie Cohen for two years.\r\n\r\nOn many occasions people have asked “what\'s planned?”, “what are you going to do?” And the answers we have been giving are very, very general. We, Ran [Kasmy Ilan] and I, started a process in the last two months of, first of all, coming to the community centre and meeting with Yossi and his staff, and then meeting with others involved in the community. We met with the Social Services Department of the municipality. We met a forum of volunteers, “Forum Jessie Cohen,” which is made up of veteran Ethiopian immigrants living and active in the Ethiopian community in the neighbourhood. And we met with Zina, active at the community centre and an immigrant to Israel from the 1990s. And we met with school directors of course – all in essence in order to receive a broad picture and understand the workings of the neighbourhood.\r\n\r\nIt\'s quite clear to us that there\'s an accumulation of expectations and questions about how this project will manifest itself – from within the neighbourhood, the municipality, and the artists involved. \r\n\r\n1:45\r\nAccording to us, every one of these groups is part of our target audience. I want us to try to avoid saying – which is to say – that we\'re all aware of the traps that we can fall into. We are not coming to this project as artists who know everything, coming to give solutions and save the neighbourhood from its problems. In my opinion, a process like this – a project like this – which spans over two years of development and activity in the neighbourhood, transforms the artists involved into a sort of target audience.\r\n\r\nThe questions the project raises are: What can we do on the neighbourhood/city level in order to catalyze change? Or what can we do to take part in a change already under way by community members? This is an opportunity to test the possibilities – to ask questions and see what is possible. \r\n\r\nIt is interesting to think about it from the perspective of the city; when a city is dealing with a place that has problems – we\'re all dancing around this issue but it is clear that Jessie Cohen has problems – the city has its specific tools in which to cope. The city has a Social Services Department, a Department of Education, the Community Centre, etc. \r\n\r\nWe, as well, come with our specific set of tools as an art centre to this project. This leads to another question of expectations – What are we being expected to provide? \r\n\r\nIt is important for me to raise these questions so we are conscious of them and consider the expectations of all those involved and also, that we consider that the process is intended to clarify, at least partly, these concerns. \r\n\r\n3:45\r\nWhat I wold like to do now is map out what we would like to see happen at this stage. It\'s more of a framework within which the project will be activated. \r\n\r\nFirst of all, the project will be made up of artists spending time in the neighbourhood for the duration of two years, for different spans of time within that. Some projects will be shorter, some longer, but all will take place within the framework of the next two years. \r\n\r\nArtists can get involved by:\r\na) Open call (like today) – there will be a number over the course of the project\r\nb) Focused invitations – specifically for artists from abroad\r\n\r\n5:20\r\nTheir first move will be the production of works in the neighbourhood. We will try to encourage what we characterize as a accessible working process – which means when we are in the neighbourhood and working for a duration of time, we can organize meetings to discuss research and production with active members of the neighbourhood and audiences (not only from the neighbourhood but including other publics), workshops, artists\' meetings. \r\n\r\nIn other words, transforming the working process to one that is open and fitting the nature of the project so that the process itself becomes part of the project and its goals.\r\n\r\n6:15\r\nAnd of course, display or exhibition – should a project require it – is the next stage. Within the neighbourhood, we will have a designated space, a storefront, to serve many needs – perhaps this as one of them. Following our tour today, you are now familiar with public spaces throughout the neighbourhood. Consider also private spaces, homes and apartments, depending on the nature of your proposal. \r\n\r\n6:45\r\nThere is a question of an event. The project is not built to lead to a singular event of climax, or a spectacle on which everything culminates and then is over. We are consistently speaking about process, continuity and development. It is clear that within the two year overall duration, there will be a number of peaks and events that will take place in accordance with the projects but there is no pre-ordained event that must be planned for in your proposals. It isn\'t our intention to erect a biennial or something of the like. \r\n\r\nLet\'s talk about work spaces. We will try to give work spaces within the neighbourhood for development in accordance with the needs of the proposals chosen. Obvious options, I imagine, will be public shelters, working in and collaborating with schools, in the community centre, but depending on the proposals, other options could be sought. We will try to address the individual needs of each project. \r\n\r\nAnd to reenforce what I said earlier about an open and flexible work process, this can be realized in these spaces as well.\r\n\r\n8:15\r\nIn addition, I hope our designated work space will be in front of the community centre along the strip of 3-4 shops, or so. There is a storefront that used to be a butcher shop. Its back half is a huge freezer. Its front half is a storefront. And if everything goes according to plan, we\'ll be using this space as our headquarters – as an office space, exhibition space, and meeting space (for both artists and community members). It will be ours for the entire duration of the project. The plan is that at the start of the project, it will house activities once a week, including gatherings with artists and screenings, and as the project develops, the space will fulfill more needs. \r\n\r\nAnd lastly, an important part of the process for us is documentation and we have been documenting every element of our research for months now. We see it as part of the experience of surveying knowledge in this kind of activity and making it accessible to everyone involved in the project and otherwise. We are building an archive, of sorts, of information that can be put online or accessed in other ways. \r\n\r\nSo I know that was general and brief and quite abstract at this stage, but this is what we would like to initiate here. \r\n\r\n','הצגת פרויקט ג\'סי כהן |16.3.2010','','inherit','open','open','','32-revision-8','','','2010-06-30 13:13:15','2010-06-30 10:13:15','',32,'http://jessy.digitalartlab.org.il/?p=55',0,'revision','',0),(56,1,'2010-06-29 19:33:45','2010-06-29 16:33:45','<object width=\"420\" height=\"325\"><param name=\"movie\" value=\"http://www.youtube.com/v/zcXOhfPHRHA&hl=en_US&fs=1&\"></param><param name=\"allowFullScreen\" value=\"true\"></param><param name=\"allowscriptaccess\" value=\"always\"></param><embed src=\"http://www.youtube.com/v/zcXOhfPHRHA&hl=en_US&fs=1&\" type=\"application/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"420\" height=\"325\"></embed></object>\r\n\r\nTour in the Neighbourhood of Jessie Cohen – Yossi Zaida, 16.03.2010\r\n\r\n\r\nArt of every kind,\r\nEverything is open,\r\nWithout any limitations.\r\n\r\nI invite you, while we walk, to take a look at the houses, entrances, streets, and people, as a way to gauge the essence of the neighbourhood.\r\n\r\n[to the police car:]\r\n“Hey, How\'s it going? Cool.\r\nWe\'re starting a project called \'Artists in the Community\'\r\nWe want to start something, we\'ll see what happens.”\r\n\r\nWe\'ve arrived at the commercial center. We\'ll take a look around and speak to Amos, who is very familiar with the neighbourhood and the commercial centre.\r\n\r\n[To Amos:] \r\nAmos, we have here artists, residents, and people from the city. What can you tell us in five to seven minutes about the neighbourhood, the commercial centre, and your hopes and dreams, if you like?\r\n\r\n1:25\r\n[Amos:]\r\nI\'ve been living in this neighbourhood since the 60s, it\'s a very difficult neighbourhood, really. Some have succeeded and found a great future for themselves and some – in these last years the neighbourhood has deteriorated and people are really suffering. \r\n\r\nThis commercial centre sits on 6 dunam – and nothing, it\'s not helpful in any way – you\'ll notice that no one\'s around, no one\'s buying, the population isn\'t shopping here. Each sells to the next, like in the past. \r\n\r\n2:20\r\n[Female:]\r\nYou know, we\'re not so poor, I\'m not that poor. The physical project helped the neighbourhood. Look at what the houses look like today...\r\n\r\n[Yossi:]\r\nEveryone says what he feels and we shouldn\'t intervene. The feelings of another person are something...\r\n\r\n[Female:]\r\nI don\'t agree with him professing his poverty...\r\n\r\n[Yossi:]\r\nWell then, you\'ll have your opportunity to balance this \r\n\r\n2:40\r\n“Ron Movie Theatre” –  or what used to be, before there were chains of movie theatres, there was Ron Movie Theatre – one of the first in the city. The veterans of the city also remember Rina, Savoy and Migdal Movie Theatres (Armon, with wooden seating and Savoy, with cushioned and comfortable seating).\r\n\r\n3:00\r\nHere is the neighbourhood supermarket. Your eyes won\'t lie, what you see is what you get. This is the centre and I think – what many people think – is that if the commercial centre has a facelift, in any way, shape or form, it could be a very significant change. I sometimes hear people, when they enter the neighbourhood and see the commercial centre, say that it takes them back 30-40 years in development towns [new towns built for immigrants in Israel in the 50s and 60s]. I think that this centre, if we succeed in doing things here with the project, will pay proper tribute to the neighbourhood. \r\n\r\n3:45\r\n[Yossi to a curious neighbour:]\r\nThe idea is art in the community. Artists will come to the neighbourhood and create art and activities related to art with the residents, with results, results that last. And I\'m showing them different areas that could be relevant.\r\n\r\n[Neighbour:]\r\nAnd who are these people made up of?\r\n\r\n[Yossi:]\r\nThere are artists, municipal representatives – it\'s not related to renovations.\r\n\r\n4:05\r\nWhen they decided to pave the Ayalon South highway, as you\'re about to see, they essentially split, North to South, the neighbourhood of Jessie Cohen and other regions as well, starting from Jaffa to Bat Yam. The neighbourhood of Kiryat Micha (on the other side of the highway now) was part of Jessie Cohen and until today, on the municipal level, its city services are still based in Jessie Cohen – for example, their health service facilities are here. But they cannot access it directly, they have to go around the highway. \r\n\r\nThe highway also has implications for the commercial centre of the city. Where once many many people would come through a road connecting Bat Yam, Kiryat Micha, and Jessie Cohen to use the services of Jessie Cohen, today this cut [the highway] terminates this option, and is one of the reasons for the fading viability of the commercial centre. And without a doubt, it\'s one of the pressures on the neighbourhood as a whole. \r\n\r\n5:12\r\n[Rami Aharoni, from the Municipality of Holon:]\r\n[on the case of the old plan to rebuild this road as a motor bridge between the two sides of the Ayalon]\r\nIt\'s a classic example of how we must listen to everyone and never do what any of them wants. Essentially there are two buildings in the corner, that in 1994, did a local Intifada really. They said \'we won\'t allow it, no road will pass through here.\' In the original plans, there is a road here [that links between both sides of the Ayalon highway] and the Ayalon highway was supposed to fund it. Every engineer that was consulted on the project in the 80s spoke about maintaining the connection to Bat Yam because it was a necessity to the city. \r\n\r\nAnd they did what they did and the city didn\'t stand up to the pressure, perhaps because it was a young administration, and what happened in effect was that the builders of the Ayalon highway were all too happy to save themselves 20 million shekels at the time [by accommodating the residents\' desires and not building the proposed motor bridge between the separated regions]. Instead, they promised an elevator, with keys dispersed to all of the residents, which of course stopped working after about a year – an elevator which no one has the keys to – and thus, you can see how a very small population harmed the interests of a much larger population. They only thought of their own interests and didn\'t understand that they were cutting themselves off from another neighbourhood, health service facilities, the commercial centre, and even themselves. \r\n\r\n\r\n6:20 \r\nYou can see the gym of the Lezarus Communty Centre here, built 12 years ago with the support of a family from the United States – the Cantor family from Dayton, Ohio – and inaugurated in 1998. It\'s the only gym in the city that doesn\'t have air conditioning system. We\'ve received a budget from the city to deal with this and we are trying to raise more funds both from the family and elsewhere. The gym offers recreational activities to children, teens and adults; there is a workout gym that about 130 people work out in. \r\n\r\n7:10\r\nThis is a garden that you could say is mostly surrounded by residential buildings with new Ethiopian immigrants. This garden has turned into a community garden, as I call it, where the Ethiopian community converges; it could be a lovely place to do just about any kind of art. With the Ethiopian community residents and this garden, really charming things could happen. \r\n\r\n7:45\r\nWe are now at the Amutat Yad Le\'Haver [roughly “The Helping Hand Association”]. Amos Yerushalmy is its director and city council member. Unfortunately the issue of food distribution in the city is essential and significant. Hundreds of packages are distributed in many forms. \r\n\r\n8:05\r\n[Amos:]\r\nI think the State shouldn\'t shame people standing in line for food for Passover, New Year\'s, and throughout the rest of the year. \r\n\r\nThere are children in the city that my heart aches for – children that are wandering around with nothing to do. In our association, we are dealing with the subject of whoever is hungry arrives at our door. [video clip of rice for distribution] And there are many families, especially the elderly, but also children, that don\'t have the means to acquire this food on their own. So we won\'t save the world, but we\'ll do our best [video clip of the centre\'s clothing bank] \r\n\r\n8:50\r\nThe picture doesn\'t look good – really doesn\'t look good. You see these fences like some kind of prison [referring to the barbed wire surrounding the building] \r\n\r\n[Yossi:]\r\nWhy the fences, Amos?\r\n\r\nThey are there because there are some people that come in the night looking to “finish the morning.” That\'s how I\'ll put it. And I don\'t see a good future for these children. If they aren\'t in some framework and if we don\'t take the matter into our own hands, they\'ll go off the deep end, who knows how far. You, as artists, can help us greatly. So, I\'ll be happy to collaborate with you on any issue and maybe work together on shared projects.\r\n\r\n[Closing text:]\r\n\"Work proposals should take into account a commitment of time and dialogue with the “agents” of the neighbourhood and communities of Jessie Cohen and the city of Holon.\r\n\r\n','סיור בשכונת ג\'סי כהן | 16.3.2010','','inherit','open','open','','11-revision-20','','','2010-06-29 19:33:45',
